First assistant director Joseph P. Reidy and stage manager Garry W. Hood will receive special Directors Guild of America (DGA) Awards recognizing extraordinary contribution to the Guild. The awards will be presented at the 74th annual DGA Awards on Saturday, March 12.
Reidy will be honored with the DGA’s 2022 Frank Capra Achievement Award, which is given to an assistant director or unit production manager in recognition of career achievement in the industry and service to the DGA.
Hood will receive the DGA’s 2022 Franklin J. Schaffner Achievement Award, which is given to an associate director or stage manager in recognition of service to the industry and to the DGA.
“Joe Reidy and Garry Hood are widely respected leaders in their fields who have dedicated themselves to representing their fellow members, standing up for their rights, and giving back to their union–including most recently through their participation on our COVID-19 Return to Work Committee,” said Lesli Linka Glatter, DGA president. “Our Guild draws its strength from the service and commitment of our members, and these special award winners embody that spirit at the highest level.”
Joseph P. Reidy
A DGA member for over four decades, Reidy is a prolific first assistant director. His credits include work on numerous DGA Award-nominated features such as Aaron Sorkin’s The Trial of the Chicago 7, Darren Aronofsky’s Black Swan and Robert Redford’s Quiz Show; and he was a second AD on Sydney Pollack’s Tootsie. Reidy has also had a long working relationship with Martin Scorsese, acting as his first AD on the DGA Award-nominated films Goodfellas, The Age of Innocence, Gangs of New York, The Aviator and his 2006 DGA Award-winning feature The Departed. Reidy also worked with Oliver Stone on the DGA Award-nominated film JFK and the 1989 DGA Award-winning feature Born on the Fourth of July.
Reidy was a graduate of the New York Assistant Directors Training Program and has served as a trustee of the program since 2006. He was also a member of the 2020 DGA Negotiations Committee and COVID-19 Return to Work Committee that was tasked with formulating the protocols to bring DGA members back to work during the pandemic. Reidy was first elected to the Guild’s Eastern AD/UPM Council in 2016 as an alternate member. Since then he has served seven terms on the Council including being elected as the Council’s 1st vice chairperson from 2019 to present and as the 2nd vice chairperson from 2017 to 2019. As co-chair of the AD/UPM Council’s First Assistant Director Committee, Reidy has participated in numerous Council-hosted events. In August 2021, he was also a panelist in the Special Projects Committee’s virtual event Dynamic Duos: The Collaborative Process of Directors and 1st ADs, where he and director Jon M. Chu discussed their collaboration on the feature In the Heights.
Garry W. Hood
With more than 500 credits on his resume and 40 years in the business as a stage manager, Hood got his start on the Nashville television production of the musical-variety show Hee-Haw. He would go on to work on award shows such as the Academy Awards, the Grammys, Emmys and Tonys; live specials like the DGA Award-nominated productions of Grease Live! and Hairspray Live!; variety programs ranging from the Opening and Closing Ceremonies of the Olympics to Presidential Inaugurals; and series work including Dancing with the Stars and American Idol. He has worked on 11 DGA Award-winning productions including The 1997 Kennedy Center Honors: A Celebration of the Performing Arts and The 60th Annual Grammy Awards directed by Louis J. Horvitz; The 61st, 64th, 66th, 67th, 68th and 70th Annual Tony Awards directed by Glenn Weiss; The 52nd Annual Tony Awards directed by Paul Miller; Great Performances “Centennial Olympic Games: Opening Ceremonies” directed by Don Mischer; and Barbra: The Concert directed by Dwight Hemion. He has also worked alongside such legendary directors as Walter Miller, Marty Pasetta, George Stevens Jr., Delbert Mann, and Gilbert Cates.
After joining the DGA in 1978, Hood was first elected as a member of the Eastern AD/SM/PA Council in 2001 and would go on to serve eight terms on the Council, including being elected to the offices of secretary/treasurer; vice chairperson and 2nd vice chairperson. Hood has served on five DGA Negotiations Committees from 2002-2020, and currently serves on the Eastern AD/SM/PA Council’s Waiver Committee, Bi-Coastal Committee and Title Change Committee; and more recently as a member of the DGA’s COVID-19 Return to Work Committee.
Local school staple “Lost on a Mountain in Maine” from 1939 hits the big screen nationwide
Most Maine schoolchildren know about the boy lost for more than a week in 1939 after climbing the state's tallest mountain. Now the rest of the U.S. is getting in on the story.
Opening in 650 movie theaters on Friday, "Lost on a Mountain in Maine" tells the harrowing tale of 12-year-old Donn Fendler, who spent nine days on Mount Katahdin and the surrounding wilderness before being rescued. The gripping story of survival commanded the nation's attention in the days before World War II and the boy's grit earned an award from the president.
For decades, Fendler and Joseph B. Egan's book, published the same year as the rescue, has been required reading in many Maine classrooms, like third-grade teacher Kimberly Nielsen's.
"I love that the overarching theme is that Donn never gave up. He just never quits. He goes and goes," said Nielsen, a teacher at Crooked River Elementary School in Casco, who also read the book multiple times with her own kids.
Separated from his hiking group in bad weather atop Mount Katahdin, Fendler used techniques learned as a Boy Scout to survive. He made his way through the woods to the east branch of the Penobscot River, where he was found more than 30 miles (48 kilometers) from where he started. Bruised and cut, starved and without pants or shoes, he survived nine days by eating berries and lost 15 pounds (7 kilograms).
The boy's peril sparked a massive search and was the focus of newspaper headlines and nightly radio broadcasts. Hundreds of volunteers streamed into the region to help.
The movie builds on the children's book, as told by Fendler to Egan, by drawing upon additional interviews and archival footage to reinforce the importance of family, faith and community during difficult times,... Read More