The American Film Institute (AFI) unveiled the participants selected for the AFI DWW+ Class of 2024. AFI DWW+ is a year-long directing workshop that supports women and traditionally underrepresented narrative filmmakers through the production cycle of a short film, providing hands-on instruction led by industry experts. The short films completed in the workshop will premiere at the annual DWW+ Showcase in spring 2024.
The just chosen AFI DWW+ Class of participants consists of Vanessa Beletic, Chloë de Carvalho, Desdemona Chiang, Naomi Iwamoto, Huriyyah Muhammad, Joanne Mony Park, Kerry O’Neill and Roxy Toporowych.
The eight participants went through a rigorous selection process and were ultimately selected from 21 finalists who met with the Final Selection Committee. Committee members were Shaz Bennett (AFI DWW Class of 2012), Steven Berger (AFI Class of 2010), Ava Berkofsky (AFI Class of 2013), Tessa Blake (AFI DWW Class of 2014), Maggie Kiley (AFI DWW Class of 2009), Katrelle Kindred (AFI DWW Class of 2018) and Amber Sealey (AFI DWW Class of 2019).
“AFI DWW+ is integral to creating a pipeline of highly trained, diverse voices who have the power to drive culture forward and shape the future of the entertainment industry. We are thrilled to welcome this new class of accomplished artists to the AFI DWW+ program and guide them on their journey as directors and storytellers,” said Susan Ruskin, dean of the AFI Conservatory and executive VP of the American Film Institute.
In 2024, the program will celebrate its 50th anniversary. AFI DWW+ was launched in 1974 as the Directing Workshop for Women, one of the first gender impact programs in the cinematic arts and is one of the longest-running and preeminent film and television workshops nationwide. Since the program’s inception, DWW+ has trained over 350 filmmakers who give voice to historically underrepresented perspectives.
Past participants have broken barriers and gone on to great success, including Academy Award® winner Siân Heder (AFI DWW Class of 2005), who wrote and directed the Academy Award®-winning film CODA; DGA president Lesli Linka Glatter (AFI DWW Class of 1982), whose critically acclaimed work as a producer and director on Homeland earned her Emmy®, PGA and DGA Award nominations; Dime Davis (AFI DWW Class of 2015), who received a 2020 Emmy® nomination for Outstanding Directing for a Variety Series for A Black Lady Sketch Show; and Hanelle Culpepper (AFI DWW Class of 2002), who directed the record-breaking pilot of Star Trek: Picard, making her the first woman director and the first Black director to launch a new Star Trek series in the franchise’s history.
Other distinguished alums include Maya Angelou, Anne Bancroft, Neema Barnette, Pippa Bianco, Tessa Blake, Tricia Brock, Ellen Burstyn, Rebecca Cammisa, Dyan Cannon, Jan Eliasberg, Naomi Foner, Jennifer Getzinger, Lyn Goldfarb, Randa Haines, Victoria Hochberg, Marianne Jean-Baptiste, Matia Karrell, Maggie Kiley, Lynne Littman, Nancy Malone, Sarah Gertrude Shapiro, Becky Smith, Cicely Tyson and Joanne Woodward.
The AFI DWW+ program receives generous support from AT&T, Paramount Pictures, The Walt Disney Studios, Hollywood Foreign Press Association, Will & Jada Smith Family Foundation, Universal Pictures and Lifetime. Additional support comes from the Lewis Greenwood Foundation, Jean Picker Firstenberg Endowment, The Nancy Malone Endowment provided by The Bob and Dolores Hope Charitable Foundation, and other individual supporters committed to providing opportunities for historically underrepresented voices in the media arts.
AFI DWW+ is part of the AFI Conservatory’s Department of Innovative Programs, which also includes the Cinematography Intensive for Women. Through a range of learning opportunities, Innovative Programs serves a diverse community of aspiring visual storytellers to cultivate cutting-edge technological, digital, and media-making skills, bridge access to professional networks and place participants on an upward career trajectory.
Local school staple “Lost on a Mountain in Maine” from 1939 hits the big screen nationwide
Most Maine schoolchildren know about the boy lost for more than a week in 1939 after climbing the state's tallest mountain. Now the rest of the U.S. is getting in on the story.
Opening in 650 movie theaters on Friday, "Lost on a Mountain in Maine" tells the harrowing tale of 12-year-old Donn Fendler, who spent nine days on Mount Katahdin and the surrounding wilderness before being rescued. The gripping story of survival commanded the nation's attention in the days before World War II and the boy's grit earned an award from the president.
For decades, Fendler and Joseph B. Egan's book, published the same year as the rescue, has been required reading in many Maine classrooms, like third-grade teacher Kimberly Nielsen's.
"I love that the overarching theme is that Donn never gave up. He just never quits. He goes and goes," said Nielsen, a teacher at Crooked River Elementary School in Casco, who also read the book multiple times with her own kids.
Separated from his hiking group in bad weather atop Mount Katahdin, Fendler used techniques learned as a Boy Scout to survive. He made his way through the woods to the east branch of the Penobscot River, where he was found more than 30 miles (48 kilometers) from where he started. Bruised and cut, starved and without pants or shoes, he survived nine days by eating berries and lost 15 pounds (7 kilograms).
The boy's peril sparked a massive search and was the focus of newspaper headlines and nightly radio broadcasts. Hundreds of volunteers streamed into the region to help.
The movie builds on the children's book, as told by Fendler to Egan, by drawing upon additional interviews and archival footage to reinforce the importance of family, faith and community during difficult times,... Read More