Fittingly for sports network ESPN, winning the primetime Emmy for Outstanding Short-Format Nonfiction Program was a team effort. The honor was bestowed at the Creative Arts Emmy Awards ceremony this past Saturday (8/16) upon ESPN’s 30 For 30 Shorts, and in the mix were directors with commercialmaking affiliations, including: Matt Ogens from Tool of North America who won for the 30 for 30 installment From Harlem With Love (an 11-minute film chronicling the Harlem Globetrotters’ 1959 trip to the Soviet Union); and Matt Dilmore of Biscuit Filmworks for the docu short The Great Imposter (the story of Barry Bremen, a Detroit-area salesman who posed as a player in the MLB and NBA, PGA golfer, NFL and NHL referee, and even a Dallas Cowboys cheerleader).
Others shorts contributing to the 30 for 30 Emmy win were: Tommy and Frank directed by Richie Keen; Wilt Chamberlain: Borsch Belt Bellhop directed by Caroline Laskow and Ian Rosenberg; Arthur and Johnnie directed by Tate Donovan; Collision Course: The Murder of Don Aronow directed by Billy Corben; The Schedule Makers directed by Joseph Garner; Judging Jewell directed by Adam Hootnick; The Deal directed by Nick and Colin Barnicle; Untucked directed by Danny Pudi; and Posterized directed by Andrew Jenks.
30 For 30 Shorts is produced by ESPN Films in association with Resonance Story Company. The Emmy-winning contingent included executive producers Connor Schell, John Dahl, Bill Simmons and Maura Mandt, and producers Dan Silver and Tate Donovan.