Cinematographer Paulo Perez, ADFC, chose Cooke® Anamorphic/i FF SF (Full Frame Special Flair) lenses to capture the wide vistas of…
Browsing: Cooke Optics
As part of its global expansion and the opening of new operations in Europe, Worldcom OOH, a media trading company…
Cooke Optics has made a major investment in two facilities. Crest Rise, a nearly 6,500 square foot production facility located…
Using three sets of Cooke Optics Anamorphic/i Full Frame Plus Special Flare lenses, cinematographer Glen Keenan, CSC, achieved his desire…
Cinematographers Hermes Marco AEC and Imanol Nabea worked with Cooke S7/i Full Frame Plus and vintage Cooke Speed Panchro S2/S3…
The Disney Channel’s original musical comedy movie Spin is full of the type of color palettes expected of a story…
Cinematographer Isaac Vila chose Cooke S7/1 Full Frame lenses for Netflix’s action thriller feature, Below Zero. The Spanish Netflix Original…
Cooke Optics has appointed Andy Buckland to the newly created role of director of product management. He reports directly to…
DP Toby Oliver, ACS and director Josh Greenbaum selected Cooke Optics Anamorphic/i Standard and Special Flair (SF) prime and zoom…
Cinematographer Declan Quinn gravitated to Cooke Optics’ flagship spherical S4/i prime lenses for Lookout Point’s six-episode series of Vikram Seth’s…