The spot “Paperwork Trees” that HUM Music + Sound Design, Santa Monica, recently worked on for Visa Business Card out…
Browsing: Features
From sexy rhythm and blues to the opera Rigoletto–that’s the range represented in entries number one and two which grace…
High caliber audio mixing elevates a spot to creative heights it couldn’t have attained otherwise. That’s not conjecture but a…
As the industry continues to shift toward a digital future, leading directors of photography from both the feature and commercial…
SHOOT’s batch of up-and-coming directors this time around includes a directing collective as well as a helmer who’s gone solo…
Welcome to SHOOT’s fall edition Directors Series, featuring profiles of notable helmers and a look at promising new talent. Our…
The ability to create photoreal CG humans has long been viewed as a sort of Holy Grail as a tool…
“The challenges for all of us in this business are twofold,” relates Tim Pontarelli, group creative director at Leo Burnett…
Advancements in digital cinematography camera technology have prompted a flurry of discussion in the production community. It has similarly sparked…
Before teaming up with bicoastal Lost Planet in March of 2002, executive producer Betsy Beale worked with TBWA/Chiat/Day, San Francisco,…