When asked if he is particular about which spots he chooses to score, Tommy Coster replies with a quick and…
Browsing: Feature
Whether it’s the influence of MTV, the dot-com approach to advertising, or teen comedies such as Scary Movie and Road…
Whether the American TV viewing audience will be sated with reality-based shows is now a question for programmers to consider,…
A creative collaboration between one production company and one advertising agency may end up in court. A basketball court, that…
The name itself—Gas, Food & Lodging (GF&L)—purposely implies one-stop shopping. The one-stop nature of the Culver City, Calif., commercial and…
Bicoastal/international Propaganda Films is a far cry from its inauspicious beginnings: three rented cubicles in a building on LaBrea Avenue…
Several trends cloud the U.S. commercial production horizon these days: more directors and fewer boards, budget cutbacks, concerns over runaway…
When viewed in close-up, any object—a strawberry, a wristwatch, or kitchen utensil—can become a strangely beautiful landscape, a new world…
After shooting spots and insert work for McDonald’s for over 12 years, director David Deahl can sum up his relationship…
Audio engineer Carl White is invisible. If he does his job right, he says, you won’t even know he’s done…