Bicoastal/international Propaganda Films is a far cry from its inauspicious beginnings: three rented cubicles in a building on LaBrea Avenue…
Browsing: Feature
Several trends cloud the U.S. commercial production horizon these days: more directors and fewer boards, budget cutbacks, concerns over runaway…
When viewed in close-up, any object—a strawberry, a wristwatch, or kitchen utensil—can become a strangely beautiful landscape, a new world…
After shooting spots and insert work for McDonald’s for over 12 years, director David Deahl can sum up his relationship…
Audio engineer Carl White is invisible. If he does his job right, he says, you won’t even know he’s done…
RavensWork is the audio post house that has, since its founding in ’96, shared space with music and sound design…
The guy who puts the puzzle together" is how Michael Marinelli, owner/mixer at audio post company Buzz, New York—sister company…
Automobile spots are no longer simple, garden-variety sheetmetal jobs. Now, car commercials have taken the high road into the world…
In the bad old days, 2-D animation was 2-D, 3-D was 3-D, and rarely did the two mesh—except with a…
When Mark Figliulo learned that Young & Rubicam (Y&R), Chicago, was looking for a chief creative officer last fall, he…