Browsing: Feature

While comedy has clearly been king in recent spot industry competitions, there’s been a departure from that norm as highly…

Cinematographer Roberto Schaefer is equally at home shooting spots and lensing features like Christopher Guest’s Best of Show and Waiting…

Acinematographer can be just as important to a spot’s success as a director is. They are partners in getting the…

Few DPs can trace their current success to a single, defining moment—but Ellen Kuras, who is represented by the United…

Ivan Bird doesn’t specialize in working with animals, even though two of the British DP’s most recent spots might lead…

While Dan Mindel is a DP with years of experience, whose film credits include Enemy of the State, he isn’t…

Nowadays spots rely heavily on visual effects, and some commercials are entirely computer generated. In essence, visual effects are the…

Two postproduction and visual effects houses on opposite coasts—Western Images, San Francisco, and Rhinoceros Editorial and Post, New York—are banking…

Baker Smith is difficult to define as a director. Tag him a comedy helmer, and the striking visual sense displayed…

I’ve been pigeonholed into doing a lot of sports and action stuff," says director Jason Smith of bicoastal Bob Industries.…