Director Daniel Kleinman is living large. Not only did he have an another award-winning year as a director, but Spectre,…
Browsing: Feature
When director Rick LeMoine decided to embark on a solo directing career earlier this year after seven years teamed with…
Two trends seem to characterize the half dozen up-and-coming spot directors featured in SHOOT’s Fall Directors Issue. First, there are…
Last month, the Academy of Television Arts & Sciences (ATAS) bestowed the Emmy Award for best primetime commercial to the…
What’s more impressive in the digital effects world? A spot that employs so much CG work that it’s a technological…
A52, a Los Angeles-based visual effects company, recently worked on two high-profile, visual effects-based projects that differ from the company’s…
Outpost Digital, a wholly owned subsidiary of bicoastal/international @radical. media, is using its international reach and technological expertise to extend…
WWe’ve all heard the buzz about Digital Asset Management (DAM)—and some companies are already on the way to realizing a…
While no one can give an exact percentage, agency music producers concur that licensed music has grown to be a…
Traditional"—directed by Bruce Nadel of Nadel@ Cohn+Company, New York, out of Young & Rubicam (Y&R), New York—is anything but. The…