Thursday, Aug. 15, 2019

For the second time in three years, The Man in the High Castle (Amazon) has been nominated for an Outstanding Visual Effects Emmy Award. The show’s VFX supervisor, Lawson Deming of Barnstorm VFX--a Burbank-based house which recently opened a studio in Vancouver, B.C.--was part of an...

Thursday, Jun. 13, 2019

For Chris Teague, Russian Doll (Netflix) was a cinematographer’s dream come true. He recalled seeing the lookbook for the show, describing the imagery as “unique,” “absurdist,” full of “surrealist art and photography,” serving to “illuminate what the world of the show was going to be....

Friday, Jul. 14, 2017

Prior to yesterday’s (7/13) announcement of this season’s Emmy nominations, SHOOT connected with varied contenders over a two-month stretch spanning different disciplines and as it turns out a good number of the artisans we covered in parts 1 through 8 of our The Road To Emmy series of...

Wednesday, Jul. 5, 2017

Delving into the process of deduction has yielded a welcomed addition to the career of cinematographer Neville Kidd whose work on Sherlock, the BBC crime drama series that is part of PBS’ Masterpiece Theater, earned him his first Emmy nomination and win in 2014. Benedict...

Tuesday, Sep. 13, 2016

The Creative Arts Emmys--divided into two separate award ceremonies this past weekend (9/10 and 11)at the Microsoft Theater at LA Live--were cause for celebration for assorted artisans, including a cinematographer, a production designer, exec producers and a composer interviewed over the past...

Friday, Aug. 19, 2016

A four-time DGA Award nominee for Lost, a series which also earned him three Emmy nods as a director, Jack Bender—whose first directing Emmy nomination came for Northern Exposure— now finds himself again in the running for a TV Academy statuette based on his directorial prowess...

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