Quentin Tarantino Delves Into Conflicts Behind "The Hateful Eight"
Quentin Tarantino is waging wars on multiple fronts.
His eighth and latest film, "The Hateful Eight," is his loudest, brashest defense of celluloid in the battle between film and digital. He shot it in Ultra Panavision, the dormant widescreen format...
This content is archived. The full version is only available to SHOOT members.
CLICK HERE TO PURCHASE MEMBERSHIP
Memberships can be purchased for as little as $14.95 per month and can be cancelled at any time. In addition to SHOOT archives access SHOOT membership includes:
- My SHOOT cv Profile with 1 Reel up to 10 videos (live profile example)
- Access all SHOOT Magazine PDFs
- SHOOT Print Magazine subscription
- Management area for all SHOOT digital publications
- Personal NewsRoom
- Official PDF Version
- Coming Soon - Talent recruitment postings for projects and jobs in film, TV, commercials, etc.
Note: If you are already a paid SHOOT member please login here.
