British director Gurinder Chadha, best known for films including Blinded by the Light and Bend It Like Beckham, has joined Bully Pictures for representation in the U.S. advertising market. The Los Angeles-based production company will pursue commercials, branded-content and other advertising-related projects for Chadha, whose films have garnered more than $300 million dollars worldwide, making her one of the U.K.’s most prolific female directors of all time.
Chadha, who is of Indian descent, was born in Kenya and grew up in London. After beginning her career as a journalist with the BBC, she turned to directing, making her debut with the documentary short I’m British But… for Channel 4. That was followed by several more award-winning documentaries. Her first narrative feature, Bhaji on the Beach, centering on a group of Asian women on a daytrip to Blackpool, was nominated for a BAFTA for Best British Film. Her next feature, What’s Cooking?, opened the 2000 Sundance Film Festival and shared an Audience Award from the New York Film Critics.
Her 2002 film, Bend It Like Beckham, became the highest grossing British-financed, British-distributed film in the U.K. It enjoyed worldwide success and earned a Golden Globe nomination for Best Picture (Musical or Comedy) and a BAFTA nomination for Best Picture. She followed that with Bride & Prejudice; Paris, je t’aime; Angus, Thongs and Perfect Snogging; It’s a Wonderful Afterlife; and Viceroy’s House. Blinded by the Light was the subject of a record-setting sale to Warner Bros. following its premiere at the 2019 Sundance Film Festival and has drawn rapturous reviews from critics around the globe. Among her many other accolades, Chadha was awarded an OBE for services to the British film industry in 2006.
Bully Pictures executive producer Jason Forest said he has been excited to work with Chadha for a long time, calling her a gifted storyteller whose talent translates well to advertising. Bully Pictures has a history of success in introducing feature film and television directors to the U.S. ad world, including Dustin Lance Black, Morten Tyldum, and Anne Fletcher.
“Gurinder is a fabulous filmmaker,” said Forest. “She has perfected a style of storytelling that is truly hers and inclusively universal all at the same time. She has a unique talent for blending Eastern and Western cultural traditions with poignancy, humor and touching emotion. As a lifelong Bruce Springsteen fan, I was especially taken with Blinded By the Light. When I saw that film, I felt immediately that I have to work with her.” Forest added that he will be looking for projects for Chadha involving cinematic, emotional storytelling with compelling, relatable characters just like in her films.
As for her attraction to advertising, Chadha–who earlier in her career had been handled by production house Great Guns for commercials–shared, “Advertising is an interesting space for a storyteller. I see a lot of diversity in ads today, more women, more powerful women and a lot of color. That is appealing to me.”
Chadha added that she feels an affinity for Bully Pictures and Forest. “We met for lunch and had a wonderful chat about films we both liked and about the type of advertising that appeals to me,” she said. “I was also impressed with the success he’s had with Dustin Lance Black. That was a plus. I hope to do in advertising what I’ve always tried to do in my films, which is to change people’s minds about diversity and show how universal we all are.”
Keaton and Kunis Play Father and Daughter In Writer-Director Meyers-Shyer’s “Goodrich”
Michael Keaton and Mila Kunis went from strangers to father and daughter in short order for the new film "Goodrich."
Before cameras started rolling, they were essentially only able to meet once. It was a dinner with their writer-director Hallie Meyers-Shyer, who just had a feeling they'd be great together.
And before they knew it they were off to the races, embodying two people with a lifetime of hurt behind them, wondering if a real relationship is even possible at this point: He's attempting to reconcile his absence in her youth and find a place in her life now, while parenting young twins from his second marriage; She's preparing to have a child of her own and wondering if she can trust her dad to be there this time.
But neither were particularly worried. The script, they said, was just that good.
"Hallie's writing was so honest and genuine and never felt forced," Kunis said. "It never felt fake and never felt anything other than the story of these people. Everything made sense. The dynamic was real. The relationships felt real."
Meyers-Shyer is the daughter of filmmakers Nancy Meyers and Charles Shyer, who not only got a film education at home, but also frequented her mother's sets and even appeared in several films as an extra. She made her directorial debut in 2017 with the Reese Witherspoon romantic comedy "Home Again" and started writing "Goodrich" soon after. She'd been thinking about a lot of things, about parenting in different decades and what that's like for an older father with young and adult kids, and about a complicated father-daughter relationship.
"In my personal life, my father remarried and had a second set of kids. And that was complicated for me," Meyers-Shyer said. "I felt like if that was something... Read More