Bicoastal production company Durable Goods has signed Korean-American director Kevin Berlandi for commercials and branded content in the U.S. With recent directing credits including episodes of the Netflix Original Partner Track, and CBS’s NCIS: Hawaii and NCIS: LA, Berlandi has also helmed commercials for brands including Audi, Burger King, Nissan, Toyota, Kia, Buick, and GMC.
“Brands know Kevin and trust him,” said Mike Brady, executive producer for Durable Goods. “They know his work and the performances he gets, and from there, he has an easy time starting conversations with automotive clients. Whether it’s a commercial or a trade show, these brands need content that has to look, feel, and be executed like a franchise film. Kevin has already been able to do that for a number of brands.”
“Commercials feel like a uniquely American art form, and that world is such a great playground for directors creatively,” added Berlandi. “A director is hired for their vision and skillset, but you’re ultimately asked to champion someone else’s concept.”
Berlandi started as a production assistant on various Hollywood blockbusters, studying large-scale production as he traveled the world and worked his way up through the ranks to join the Directors Guild of America (DGA) as an assistant director. From there, he worked as AD on the Pirates of the Caribbean and Transformers franchises, as well as The Bourne Legacy and Marvel’s The Avengers.
He went on to spend 18 months as an in-house director at ad agency Pitch. He also participated in the DGA’s Director Development Initiative, Sony’s Television 2016 Diverse Director’s Fellowship, and CBS’s Director Participant Directing Initiative. This led Berlandi to take his filmmaking talents to television, directing primetime procedurals for CBS. His most recent effort, Netflix’s Partner Track, was recently the #2 viewed series on the platform. “With a show about a Korean-American lawyer on the partner track, I try to tell stories in a way that people from different backgrounds can connect to that experience,” noted Berlandi.
Recently, Berlandi was also a finalist in the Association of Independent Commercial Producers’ 2021 Commercial Directors Diversity Program. Looking back, Berlandi sees all of this experience as the perfect training for his commercial work, particularly for automotive brands. “Watching directors like Michael Bay and Gore Verbinski work, you see them command a large set with all the technologies and toys,” Berlandi recalled. “Still, it’s great training for commercials because both are sets where you are pitching ideas constantly.”
Prior to joining Durable Goods, Berlandi was last represented in the commercialmaking space by The Cavalry Productions.
Berlandi’s stylish short film, Hana Sasaki’s Tail, adapted from the book, "Three Scenarios," premiered at the 2016 Festival de Cannes. In addition to his high-octane directing work, Berlandi is also active at the DGA as a two-term chair of the Asian American Committee, contributing to numerous initiatives with the Diversity Committee.
“I’ve always felt like I see things from two different worlds,” concluded Berlandi. “Maybe it was being born in South Korea and then raised outside of Boston, but I’ve always had a perspective that allows me to step outside myself and the content I’m directing. That way I can service both worlds–the material at hand, and the viewer who will eventually watch it.”
Outside of work, Berlandi spends time with his daughter and wife, describing himself as a “semi-professional lacrosse player” and a fully professional coffee fanatic.
Juliette Welfling Takes On A Musical, A Crime Thriller, Comedy and Drama In “Emelia Pérez”
Editor Juliette Welfling has a track record of close-knit, heartfelt collaboration with writer-director Jacques Audiard, a four-time BAFTA Award nominee for Best Film not in the English Language--starting with The Beat That My Heart Skipped in 2006, then A Prophet in 2010, Rust and Bone in 2013, and Dheepan in 2017. He won for The Beat That My Heart Skipped and A Prophet.
Welfling cut three of those features: A Prophet, Rust and Bone, and Dheepan. And that shared filmography has since grown to most recently include Emelia Pérez, the Oscar buzz-worthy film from Netflix. Welfling herself is not stranger to Academy Award banter. In fact, she earned a Best Achievement in Film Editing Oscar nomination in 2008 for director Julian Schnabel’s The Diving Bell and the Butterfly.
Emelia Pérez is a hybrid musical/drama/thriller which introduces us to a talented but undervalued lawyer named Rita (portrayed by Zoe Saldana) who receives a lucrative offer out of the blue from a feared drug cartel boss who’s looking to retire from his sordid business and disappear forever by becoming the woman he’s always dreamt of being (Karla Sofía Gascón in a dual role as Manitas Del Monte/Emilia Pérez). Rita helps pull this off, orchestrating the faked death of Del Monte who leaves behind a widow (Jessi, played by Selena Gomez) and kids. While living comfortably and contently in her/their new identity, Pérez misses the children. Pérez once again enlists Rita--this time to return to family life, reuniting with the kids by pretending to be their aunt, the sister of Del Monte. Now as an aunt, Pérez winds up adopting a more altruistic bent professionally,... Read More