Sunday, February 18, 2018
  • Friday, Nov. 28, 2003
Commercial Music Track Sessions Strike Responsive Audience Chord

Gregory Grene, music producer at Foote, Cone & Belding, New York, put his self-described "hate" for temp tracks in no uncertain terms, observing that when music houses start editing commercials, then it will be all right for editors to do music.

"Temp track love is a problem,"...

This content is archived. The full version is only available to SHOOT members.


Memberships can be purchased for as little as $14.95 per month and can be cancelled at any time. In addition to SHOOT archives access SHOOT membership includes:

  • My SHOOT cv Profile with 1 Reel up to 10 videos (live profile example)
  • Access all SHOOT Magazine PDFs
  • SHOOT Print Magazine subscription
  • Management area for all SHOOT digital publications
  • Personal NewsRoom
  • Official PDF Version
  • Coming Soon -  Talent recruitment postings for projects and jobs in film, TV, commercials, etc.

Note: If you are already a paid SHOOT member please login here.