By Jake Coyle, Film Writer
CANNES, France (AP) --The veteran provocateur Paul Verhoeven premiered his lesbian nun drama "Benedetta" at the Cannes Film Festival with a solemn vow to resurrect sexuality in movies.
"Benedetta" predictably stirred the French Riviera festival over the weekend. In it, the Belgian actor Virginie Efira stars as Benedetta Carlini, a 17th-century French nun who communicates directly with Jesus and who falls in love with a farm girl saved by the convent (Daphné Patakia). An entertaining riot of eroticism, violence, Catholicism and plague, Verhoeven's movie has been both dismissed as "nun-sploitation" and hailed as "a good old fashioned art-house costume shagathon."
Cannes, where movies like "Taxi Driver" and "Blue Is the Warmest Color" have made controversial premieres, loves a jolt of violence or a splash of sex. The arrival of "Benedetta" has sent nun puns flying around the Croisette.
"When people have sex, they take their clothes off," Verhoeven said Saturday. "I'm stunned, basically, how we don't want to look at the reality of life. This purity that has been introduced is, in my opinion, wrong."
Verhoeven, the 82-year-old director of "Basic Instinct" and "Showgirls," found an art house comeback in the acclaimed 2016 French-language thriller "Elle." He has long advocated for sexuality as part of nature, and thus of cinema too.
"People are interested in sexuality," said Efira. "There aren't that many directors who know how to film it. But Paul Verhoeven, since the very beginning, is someone who has dealt with this major topic in an amazing way. Nudity is of no interest when it's not depicted in a beautiful way. That's not what Paul does. Everything was very joyful when we stripped off our clothes."
Written by Verhoeven and "Elle" collaborator David Birke, "Benedetta" is inspired by Judith C. Brown's non-fiction book "Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy." Carlini was a real 17th-century abbess who was tried and imprisoned in the early 1600s for her claims of mystical visions.
Verhoeven strongly disagreed that anything about his film could be labeled "blasphemous."
"It's true, mostly. I mean, of course we changed a little bit, but it's (a true story)," said Verhoeven. "You can talk about what was wrong or not, but you cannot change history."
"So," he added," "I think the word blasphemy for me in this case is stupid."
Instead, Verhoeven sees "Benedetta," which IFC Films has acquired to release in North America, as a progressive film.
"We see what's happened in 1625, how people — our people, the Western European people — how they were thinking about a lesbian love story and where we are now, isn't it?" said Verhoeven. "We're probably not completely there, but I think we have made a lot of progress. And I saw the differences between then and now was also a reason to do the movie."
First-Time Feature Directors Make Major Splash At AFI Fest, Generate Oscar Buzz
Two first-time feature directors who are generating Oscar buzz this awards season were front and center this past weekend at AFI Fest in Hollywood. Rachel Morrison, who made history as the first woman nominated for a Best Cinematography Oscar---on the strength of Mudbound in 2018--brought her feature directorial debut, The Fire Inside (Amazon MGM Studios), to the festival on Sunday (10/27), and shared insights into the film during a conversation session immediately following the screening. This came a day after William Goldenberg, an Oscar-winning editor for Argo in 2013, had his initial foray into feature directing, Unstoppable (Amazon MGM Studios), showcased at the AFI proceedings. He too spoke after the screening during a panel discussion. The Fire Inside--which made its world premiere at this year’s Toronto International Film Festival--tells the story of Claressa “T-Rex” Shields (portrayed by Ryan Destiny), a Black boxer from Flint, Mich., who trained to become the first woman in U.S. history to win an Olympic Gold Medal in the sport. She achieved this feat--with the help of coach Jason Crutchfield (Brian Tyree Henry)--only to find that her victory at the Summer Games came with relatively little fanfare and no endorsement deals. So much for the hope that the historic accomplishment would be a ticket out of socioeconomic purgatory for Shields and her family. It seemed like yet another setback in a cycle of adversity throughout Shields’ life but she persevered, going on to win her second Gold Medal at the next Olympics and becoming a champion for gender equality and equitable pay for women in sports. Shields has served as a source of inspiration for woman athletes worldwide--as well as to the community of... Read More