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2017 "For Your Consideration" Emmy Marketing Opportunities

Primetime Talent: Behind The TV Screen
Willimon, Hirst discuss House of Cards, Vikings, respectively; Gamzon reflects on Sleepy Hollow. DPs Cernjul, Orbach, Martinovic, directors Mancuso, Shapeero make their creative mark in primetime.
The Road To Emmy: Nominees Reflect Their Shows
Clockwise from top left: American Horror Story: Asylum; HomelandThe Girl; DP John Pardue; Top Of
The Lake; Homeland director/coexec producer Lesli Linka Glatter and actor Damian Lewis; Robert F.
Kennedy and Ethel Kennedy, 1961, from the documentary Ethel.
The Road To Emmy: Creative Arts Awards
Insights into the work contending for honors at Creative Arts Emmy ceremony. 
The Road To Emmy: Director, DP, Editor POVs
Nominees backstories from American Horror Story: Coven, House of Cards, Boardwalk Empire, Fargo, The Normal Heart, Orange is the New BlackFrom top left, clockwise: American Horror Story: Coven; The Normal Heart; House of Cards; Director Carl Franklin: Director Tim Van Patten; Orange is the New Black; Fargo
The Road To Emmy: Director, DP, Editor, Post POVs

Nominees backstories from American Horror Story: Coven, House of Cards, Boardwalk Empire, Fargo, The Normal Heart, Orange is the New BlackFrom top left, clockwise: American Horror Story: CovenThe Normal HeartHouse of Cards; Director Carl Franklin: Director Tim Van Patten; Orange is the New BlackFargo

Awards Voters Appreciate the Deeper Understanding of Award Quality Filmmaking SHOOT Provides

Of the 29 required Television Academy Peer Groups, representing specific fields of expertise within the motion picture, TV, and commercial production industry, SHOOT has been solely focused on 26 of the 29 and delivering decision-making news, back stories, and inspiration 365/24/7 without fail for 55 years.

TARGET YOUR FYC CAMPAIGN TO SHOOT'S AUDIENCE OF ABOVE & BELOW THE LINE DECISION-MAKERS!

SHOOT's annual in-depth Emmy coverage, including 15-Part Road to Emmy Series, shines the spotlight on the producers, directors, documentarians, cinematographers, editors, production designers, visual effects supervisors, composers and other executives and artisans in the running before, during and after Emmy nominations are announced right up to the Creative Arts and Primetime Emmy Awards. (above are images from past Emmy season's SHOOT "Road to Emmy" features.)

SHOOT 's strong Emmy® tradition dates back to 1997 having been the leading chronicler of the Primetime commercial Creative Arts Emmy nominees and winners since the inception of that award.  SHOOT expanded in 2005 to cover all categories of nominees and winners of the Creative Arts and Primetime Emmy Awards, and six years ago launched its annual in-depth 15-part “Road to Emmy Series” that covers the shows themselves and the executives and artisans behind them, spanning categories such as Directing, Cinematography, Editing, Visual Effects, Animation, Music, Sound, Production Design & more across all major categories including Comedy Series, Drama Series, Miniseries or Movie, Documentary, Variety Music or Comedy Series and Reality Competition Program. We interview and profile assorted artists and production execs, gaining insights into the shows and challenges faced.  There are also assessments of Emmy prospects for nominees, as well as a look at trends in this year’s competition.  And, of course we'll continue to cover the nominations and top off the series will be special coverage of the Creative Arts winners (this year on Sept. 9th &10th) and the Primetime winners (this year on Sept. 17th).

Who will be among the 2017 nominees and winners?
While there will be many other shows and programs that will be generating Emmy buzz throughout this year's series, some sure to be talked about include...

From ABC: “Blackish,” “How to Get Away with Murder,” “Modern Family, "Scandal;” From Amazon: “Transparent,” “Goliath” "Sneaky Pete"; From AMC: “Better Call Saul,”  From CBS: “The Big Bang Theory;” “Mom”;  From Cinemax: “The Knick”; From Comedy Centrial “Inside Amy Schumer”; From Fox: “Brooklyn Nine Nine,” “Last Man on Earth,” “Empire,” “Gotham”; From FX Networks: “American Horror Story,” "Legion," "Feud: Bette and Joan" “The Americans” ; From HBO: “Girls,” “Last Week Tonight,” “Silicon Valley,” "Togetherness, "The Leftovers," “Veep,” “Westworld”;  From History: “Join or Die”; From Hulu: "The Path," "The Handmaid's Tale," "Casual;" From IFC: “Portlandia;”  From NBC: "This Is Us," “The Tonight Show”; From Netflix: “Bloodline,” “Grace and Frankie,” “House of Cards,” “Orange is the New Black," "The Crown," "Stranger Things," “The Unbreakable Kimmy Schmidt”; From Showtime: “Billions,” “Homeland,” “Shameless”; From Starz: “Black Sails,” “Outlander,” “Power;” From: USA Network: "Mr. Robot"

SHOOT editors will be profiling and interviewing executives and artisans behind some of the shows above plus many others from May-August this year.

SHOOT is on Top of the Bottom Line and Ahead in Behind The Camera
Of the 30 Television Academy Peer Groups, representing specific fields of expertise within the motion picture, TV, and commercial production industry, SHOOT focuses on 26 of them, delivering decision-making news, back stories, and inspiration 365/24/7 for the last 56 years.

Animation
Art Directors and Set Decorators
Casting Directors
Children's Programming
Cinematographers
Commercials
Costume Design & Supervision
Directors

Documentary Programming
Electronic Production
Interactive Media
Los Angeles Area
Makeup/Hairstylists

Motion & Title Design
Music
Picture Editors
Producers
Production Executives
Professional Representatives
Public Relations
Reality Programming
Sound
Sound Editors
Special Visual Effects
Television Executives
Writers

Ideal Audience & Environment for your Emmy "FYC" Marketing
SHOOT’s digital and print platforms provide the ideal environments in which to promote prior to & during nomination voting that will take place 6/12-6/26 and then prior to & during final round voting that will take place 8/14-8/28. SHOOT Magazine Print (with bonus PDF version) and SHOOTonline/The SHOOT Dailies/The SHOOT>e.dition digital platforms are ideal for bringing attention to your programs and individual nominees.  Our audience of production & post industry executives and artisans including ATAS members (SHOOT is extremely strong in the vast majority of the ATAS peer groups) will be reading SHOOT’s Emmy-related coverage  with great interest throughout Emmy Season.  Our readership includes production executives, producers, directors, cinematographers, editors,  production designers, visual effects & animation executives & artisans, music & sound executives & artisans and much more. 

SHOOT EMMY FYC Marketing options include:

►  SHOOTonline.com 40,000+ unique visitors per month*. 7-day or 30-day runs can start any day.  File formats accepted:  JPEG, GIF, Animated GIF, Flash,  HTML5, and third party tags** .  Banner sizes include regular & expandable banners: 728x90, 300x250, 300x600, 468x60.  Interstitials: 600x500 as well as Interstitials and other custom options. * Source: Google Analytics **SHOOTonline is DFA and Jetpack certified.  Click Here for For SHOOTonline Banner Specs

►  The SHOOT>e.dition   Published every Friday, this weekly email newsletter goes to 28,000 opt-in subscribers.  You can provide banner creative day before. File formats accepted: JPEG, GIF, Animated Gif.   Banner sizes include 468x60, 180x150, 180x600.
Samples
Click Here to see web version of Phase 1 June 10, 2016 SHOOT>e.dition
Click Here to see web version of Phase 1 June 17, 2016 SHOOT>e.dition

►  SHOOT Dailies   Published daily Monday-Friday, you can get banner to us the day before. This email newsletter has a subscriber base of 3,500.  Great for making an added splash on specific days. File formats accepted: JPEG, GIF, Animated Gif.  Banner sizes include 728x90, 180x150.

►  SHOOT Custom Email Blasts   sent when you want to database of 45,000.

►  SHOOT Magazine Print Issue (with bonus PDF version,)
SHOOT Magzine's highly targeted circulation includes 10,000 production/post industry executives & artisans. An additional 3,500+ read the PDF version.  Put your FYC message into decision-makers' hands! Click Here for SHOOT Magazine Ad Sizes/Specs

       May/June (out 5/19) Issue Deadlines
       Space Reservations:  May 5 || Ad PDF File Due:  May 9 (final extnesion May 11)

       August/September (out 8/18) Issue Deadlines
       Space Reservations: August 8 || Ad PDF File Due:  August 11 (final extension August 14)

SHOOT Marketing Links....
♦   Click Here to request FYC Rates for SHOOT Magazine, The SHOOT>e.dition, SHOOT Dailies and SHOOT Custom email blasts.
♦   Click Here for SHOOT overview information
♦  Click Here for SHOOT Magazine Ad Sizes/Specs
(When you place a print Ad, the PDF version runs with live link to FYC site at no extra charge in PDF version of the issue that is posted on our site for readers to view/download.)
♦  Click Here for SHOOTonline Banner specs
For more information, rates and space reservations, please contact SHOOT Publisher, Roberta Griefer at 203/227-1699, ext 13 or via email.

The 2017 Road to Emmy Series
Our extensive coverage, from May 19-September 17, will provide insights into the artists and the artistry behind the latest crop of lauded programs and Emmy-related news and information. 
The Series will be published across all SHOOT digital and print platforms including...

  • SHOOTonline (website with 40,000 unique visitors,)
  • The SHOOT Dailies (daily email newsletter,)
  • The SHOOT>e.dition (weekly email newsletter going to 28,000 opt-in subscribers every Friday. 
  • The special Series Part 1 kick-off feature on May 19 and Part 13 on August 19 will also appear in SHOOT Magazine (10,000 print readers) and PDF versions of issue (3,500+ additional readers) that will be posted on our site.

SHOOT editors will be profiling and interviewing executives and artisans behind some of the shows above plus many others from May-August this year. Link to digital versions will be added as each feature goes live. 
Click Here for the digital versions of last year's 2016 "Road to Emmy" series features
(Some of the people covered in 2016, include Lesli Linka Glatter, director, "Homeland" (Showtime), Nelson Cragg, cinematographer, “The People v. O.J. Simpson: American Crime Story” (FX Network), Michael Goi, ASC, ISC, cinematographer (& director of 2 episodes,) "American Horror Story: Hotel," (FX Network), Jeff Russo, composer, “Fargo” (FX Network), Jack Amiel and Michael Begler, creators, showrunners, writers and EPs, "The Knick" (Cinemax), Jay Roach, director, "All The Way" (HBO), Sean Callery, composer, "Homeland" (Showtime) and "Jessica Jones" (Netflix), Eric Daman, costume designer, "Billions" (Showtime) and "The Astronaut Wives Club" (ABC), The de Luca brothers, composers "Killing Fields" (Discovery Channel), David Reichert, cinematographer, "The Deadliest Catch" (Discovery Channel), Richard Eyre, director and Ben Smithard, cinematographer, BSC, The Dresser (Starz), Steve Boyum, director/consulting producer, Black Sails (Starz), Lula Carvalho, cinematographer and Diana Trujillo, production designer, Narcos (Netflix), Nicole Kassell, director, The Americans (FX Networks) and American Crime (ABC), Adam Penn, editor, multiple episodes of The People v. O.J. Simpson: American Crime Story (FX Networks); writer, Mr. Robot (USA Network)

Here's the 2017 Schedule...
Click Here for PDF version of the Road to Emmy schedule
Click on Links at left for already publsihed features in the series.
Part / Date            Distribution Platforms
Part 1: May 19     SHOOTMagazine Print Issue, PDF version of Print Issue, SHOOTonline, SHOOT Dailies &  SHOOT>e.dition 
                            (In The Emmy Conversation: Ron Howard, Jill Soloway, Lesli Linka Glatter, Barry Sonnenfeld - Ron Howard, director/executive producer, "Genius," National Geographic; Jill Soloway, co-creator, writer, director, exec producer, "I Love Dick," Amazon, and creator, director, writer, exec producer, "Transparent," Amazon; Sarah Gubbins, co-creator, writer, exec  producer, "I Love Dick," Amazon; Lesli Linka Glatter, director/exec producer, "Homeland," Showtime; Barry Sonnenfeld, director, producer, showrunner, "A Series of Unfortunate Events," Netflix)
Part 2: May 25     SHOOTonline, SHOOT Dailies, SHOOT>e.dition 
                            ("The Crown" Fits Editor Pia Di Ciaula - Pia Di Ciaula, editor, "The Crown," Netflix)       
Part 3: June 2       SHOOTonline, SHOOT Dailies, SHOOT>e.dition   
                            (Lensing "The Handmaid's Tale," "Emerald City," "The Crown" - Colin Watkinson, cinematographer, "The Handmaid's Tale," Hulu, and "Emerald City," NBC; Adriano Goldman, cinematographer, "The Crown," Netflix;       
Part 4: June 9       SHOOTonline, SHOOT Dailies, SHOOT>e.dition   
                            (Insights Into Cinematography, Music For Jill Soloway's Amazon Shows - Jim Frohna, cinematographer, "Transparent" and "I Love Dick," Amazon; Bruce Gilbert, music supervisor, "Transparent" and "I Love Dick," Amazon)     
Part 5:  June 16    SHOOTonline, SHOOT Dailies, SHOOT>e.dition    
                            (Shawn Levy Drawn To "Stranger Things" - Shawn Levy, director/executive producer, "Stranger Things," Netflix)                           
Part 6: June 23     SHOOTonline, SHOOT Dailies, SHOOT>e.dition 
                            ("MARS" Changes Emmy Orbit; Insights Into "House of Cards," "Bloodline" - Justin Wilkes, producer, "MARS," National Geographic Channel; David M. Dunlap, cinematographer, "House of Cards," Netflix; Tim Galvin, production designer, "Bloodline," Netflix)
Part 7: June 30      SHOOTonline, SHOOT Dailies, SHOOT>e.dition 
                             (Prodution Designer Bo Welch Embraces "A Series of Unfortunate Events" - Bo Welch, production designer, "A Series of Unfortunate Events," Netflix)       
Part 8: July 7        SHOOTonline, SHOOT Dailies, SHOOT>e.dition
                            (DP Perspectives on "Sherlock," "The Man in the High Castle"- Neville Kidd, cinematographer, "Sherlock," BBC/PBS; James Hawkinson, cinematographer, "The Man in the High Castle," Amazon) 
Part 9: July 14      SHOOTonline, SHOOT Dailies, SHOOT>e.dition
                            (Emmy-Nominated DPs Share Insights Into "Handmaid’s Tale," "The Crown," "Transparent," "Man In The High Castle" - Colin Watkinson, cinematographer, "The Handmaid's Tale," Hulu; Adriano Goldman, cinematographer, "The Crown," Netflix; Jim Frohna, cinematographer, "Transparent," Amazon; James Hawkinson, cinematographer, "The Man in the High Castle," Amazon)   
Part 10: July 21    SHOOTonline, SHOOT Dailies & SHOOT>e.dition
                           (Emmy nominated commercials - Insights from creatives at R/GA, 72andSunny, mcgarrybowen and JohnXHannes)  
Part 11: July 28    SHOOTonline, SHOOT Dailies & SHOOT>e.dition
                            (Showrunner/EP Kenneth Biller, costume designer Sonu Mishra & makeup artist Davina Lamont discuss challenges of capturing the life and times of Albert Einstein (National Geographic Channel)              
Part 12: Aug. 4    SHOOTonline, SHOOT Dailies &  SHOOT>e.dition
                            (Ben Turner, visual effects supervisor and Martin Childs, production designer, Reflect On "The Crown" (Netflix) and Their 1st Career Emmy Nominations)
Part 13: Aug 11   SHOOTonline, SHOOT Dailies & SHOOT>e.dition
Part 14: Aug 18   SHOOT Magazine Print Issue, PDF version of Print Issue, SHOOTonline, SHOOT Dailies & SHOOT>e.dition
Part 15: Aug 25   SHOOTonline, SHOOT Dailies & SHOOT>e.dition
      Sept. 9 &10  Creative Arts Winners announced: Covered Sept. 9 & 10 on SHOOTonline
                           9/10 SHOOT Dailies &  9/15 SHOOT>e.dition       
            Sept. 17   Primetime Winners announced: Covered Sept. 17 on SHOOTonline,
                            9/17 SHOOT Dailies, 9/22 SHOOT>e.dition
For more information, rates and space reservations, please contact SHOOT Publisher, Roberta Griefer, at 203/227-1699, ext 13 or via email.