Making a remarkable feature directorial debut at the 2014 Toronto International Film Festival with the…

When he read Taylor Sheridan’s script for Hell or High Water, director David Mackenzie was…

Kirsten Johnson’s talent as a documentary cinematographer often has us empathizing with her subjects, feeling…

Alma Har’el—whose spotmaking/branded content roosts are Epoch Films in the U.S., and B-Reel Films, which…

SHOOT has chronicled the career of director Garth Davis over the years, spanning such developments…

Welcome to the Special Spring 2016 Edition of SHOOT’s Directors Series. Our profiles include three…

It doesn’t get much more patriotic than Captain America and the Super Bowl. And that’s…

First-time nominee Andreas Nilsson of Biscuit Filmworks won the DGA Award for Outstanding Achievement in…

Sophie Muller is an accomplished director best known for her music videos spanning collaborations with…

For Daniel Kwan and Daniel Scheinert, known as the directing duo Daniels, this year’s Sundance…

There’s something about breakthrough series and director Tricia Brock. One day while shooting an episode…

With Birdman or (The Unexpected Virtue of Ignorance) in 2015 and The Revenant this year,…

There was no way to predict what would come from the documentary that was percolating…

One DP has captured a story of solidarity and survival with a movie—set to bow…

As part of our Directors Issue mix, here is a sponsored profile in which Tröll…

“Bring Him Home.” That marketing line for The Martian (20th Century Fox) pretty much encapsulates…