Friday, January 19, 2018

October 2017 Top Ten Music Chart

Top Ten Music Chart
  • Friday, Oct. 27, 2017
October 2017 Top Ten Music Chart

This quarter's Top Ten Tracks Chart is headed by an orchestra which in concert cannot stay still. The musicians move all about, to and fro, sometimes wildly, highlighting the sound system of a Porsche.  Their movements correspond to the automobile as it's seen taking corners at high speed and making hairpin turns.

Also in the mix are: a piece which shows us a lost stuffed panda--which is located through Tile technology; a Halloween Horror Night campaign spot for Universal Studios; and an Aussie commercial for Honda.

Have a look at the best music and sound fare this quarter has to offer. 

See the number one Top Ten Track here.

 

1
Porsche's "High Speed Orchestra"

Music/Sound: Yessian Music, Hamburg, Germany, and Detroit; “Winter” composed by Antonio Vivaldi, adaptation by Jens Schliecker. Uli Witt, sr. producer; Ingmar Rehberg, exec producer; Max Fritz, sound designer; Gerard Smerek, music mixing; Michael Yessian, head of production; Brian Yessian, chief creative officer; Audio Post: Yessian Music, Hamburg, Germany; Max Fritz, Michel Riecken, mixers; Agency: Grabarz and Partner, Hamburg, Germany; Production: Czar Film, Berlin; Bart Timmer, director

2
Top Spot of the Week: Mark Molloy Directs "Lost Panda" For Tile, Deutsch

Client Tile, Inc. Agency Deutsch Pete Favat, chief creative officer, North America; Guto Araki, executive creative director; Eric Manchester, creative director/copywriter; Neal Desai, creative director/art director; Jeb Quaid, copywriter; Vic Palumbo, director of integrated production; Dan Kaplan, executive integrated producer; Mariana Perin, integrated producer; Eryk Rich, music director; Chase Butters, music producer; Dez Davis, music coordinator. Production Smuggler Mark Molloy, director; Patrick Milling Smith, Brian Carmody, co-founders; Shannon Jones, exec producer; Gustav Geldenhuys, line producer. Editorial Work Editorial Stewart Reeves, editor; Keith Hamm, Josh Sasson, assistant editors; Marlo Baird, exec producer; Brian Scharwath, producer. Color Company 3 Tom Poole, sr. colorist; Alexandra Lubrano, producer. Post CG/VFX ALT VFX, Inc. Colin Renshaw, founder/VFX supervisor; Chris Fieldhouse, exec producer; Jess Calvert, producer; Mathew Chance, head of 2D;  Chris Rentoul, animation lead. Creature Build/Panda Legacy Effects Alan Scott, producer. Graphics Lobo Mateus de Paula Santos, creative director; Luis Ribeiro, exec producer; Gabriela Leal, producer; Leandro Beltran, Bruno Ronzani, design & animation. Music Mophonics Track “Girl in My Dreams” Track courtesy of Stephan Altman, composer/creative director/performer Audio Post Lime Studios Mark Meyuhas, sound engineer; Peter Lapinski, assistant mixer; Susie Boyajan, exec producer; Kayla Phungglan, producer.

3
The Best Work You May Never See: Ari Merkin, Director Jared Knecht Team On "I Got This" For Face the Music

Client Face the Music/Recovery Unplugged  Agency Ari Merkin Ari Merkin, copywriter/art director; Clair Grupp, executive producer; Dan Seliger, digital strategist. Production m ss ng p eces Jared Knecht, director. Editorial Exile Matt Murphy, editor; Stephania Dulowski, assistant editor; Evyn Bruce, sr. producer; Lauren Pullano, producer. Music Original Song: “I got this” by Richie Supa from the Enemy album  Music Elias Eric Ronick, creative director; Matt Phenix, head of production; Luke Atencio, additional arrangement. Color Company 3 Kath Raisch, colorist.

4
Adobe's "Future Is Yours"

Music/Sound: Beacon Street Studios, Venice, Calif. Beacon Street, composers; Amber Tisue, sound design; Adrea Lavezzoli, exec producer; Lindsey Lerman, producer. Audio/Post: Beacon Street Studios, Venice, Calif.
Amber Tisue, mixer; Aaron Cornacchio, mix assistant; Kate Vadnais, mix producer. Agency: Pereira & O’Dell, San Francisco. Production: Ntropic, San Francisco; Ryan Duggan, creative director.

5
The Best Work You May Never See: Droga5, Director Malik Vitthal Help We Become "Us" In Y Anthem Spot

Client The Y Agency Droga5 NY David Droga, creative chairman; Ted Royer, chief creative officer; Kevin Brady, executive creative director; Casey Rand, Karen Short, group creative directors; Gabe Sherman, copywriter; Gage Young, art director; Patrick Newman, James Gross, jr. copywriters; Sonja Johnson, Gianna D’Amico, jr. art directors; Sally-Ann Dale, chief creation officer; Jesse Brihm, Bryan Litman, co-directors of film production; Gabija Blake, producer, film; Tony Xie, associate producer, film; Mike Ladman, music supervisor. Production The Corner Shop Malik Vitthal, director; Ashley Connor, DP; Anna Hashmi, exec producer; Jennifer Duffy, producer. Editorial Work Editorial Adam Robinson, editor; Theo Mercado, assistant editor; Erica Thompson, exec producer; Sari Resnick, producer. Postproduction Blacksmith Charlotte Arnold, exec producer; Alexa Mauro, producer; Daniel Morris, lead 2D artist; Steve Koenig, Margolit Steiner, Jay Lee, 2D artists. Color Company 3 Tom Poole, colorist; Alexandra Lubrano, producer. Music Minbal Benjamin Balcom, composer. Sound Sonic Union Michael Marinelli, mixer; Patrick Sullivan, Justine Cortale, producers.

6
Netflix's "Netflix is a Joke"

Music/Sound: Q Department, New York (original music) LSD, Santa Monica, Calif. (sound design) Rohan Young, sound designer. Audio Post: Technicolor, Los Angeles Ruben Gomez, sound mixer. Agency: Battery, Los Angeles. Production: Caviar, Los Angeles; Neal Brennan, director.
 

7
Director Eli Roth, TM Advertising Usher in "Halloween Horror Nights" For Universal Studios

Client Universal Orlando Resort/Universal Studios Hollywood Agency TM Advertising, Dallas Lisa Bennett, chief creative officer; Chris Bettin, group creative director/copywriter; Marc Mintle, group creative director/art director; Hal Dantzler, director of production. Production Tool of North America Eli Roth, director; Javier Zarco, DP; Oliver Fuselier, managing partner; Mary Church, exec producer. Editorial/Sound charlieuniformtango Jack Waldrip, editor; Jake Kluge, sound engineer; Mary Alice Butler, exec producer. Music JSM Music Joel Simon, creative director.

8
Campari/Wild Turkey's "We Sang Our Song"

Music/Sound: Songs Publishing,  bicoastal; Song: “Testify”; Davie, musical artist; Butch Walker, additional music production. Audio Post: Sound Lounge, New York; Tom Jucarone, mixer. Agency: J. Walter Thompson New York; Paul Greco, agency music director. Production: RSA Films, bicoastal/international; Matthew McConaughey, director.

9
Honda Australia's "Moving You"

Music/Sound: Soundtrack: Annie Lennox and David A. Stewart, “Sweet Dreams”; Jesse Watt, composer; Nylon Studios, New York and Sydney, Australia; Karla Henwood, music producer; Chelsea Ramsden, music supervisor. Audio Post: Nylon Studios, New York, and Sydney; Stuart Welch, sound engineer. Agency: Leo Burnett Melbourne. Production: Scoundrel, Chippendale, Australia; Michael Spiccia, director.

10
Clash of Clans "Bye Bye Builder"

Music/Sound: Butter Music and Sound, bicoastal; Andrew Sherman, chief creative officer/composer/arranger; Ian Jeffreys, managing director/EP; Kristin Kuraishi, producer. Trinitite, Brooklyn, NY Brian Emrich, sound designer. Audio Post: Heard City, New York; Evan Mangiamele, Elizabeth McClanahan, engineers. Agency: Barton F. Graf, New York. Production: Psyop, bicoastal; Trevor Conrad, director.