1:  Porsche’s “High Speed Orchestra”

Music/Sound: Yessian Music, Hamburg, Germany, and Detroit; “Winter” composed by Antonio Vivaldi, adaptation by Jens Schliecker. Uli Witt, sr. producer; Ingmar Rehberg, exec producer; Max Fritz, sound designer; Gerard Smerek, music mixing; Michael Yessian, head of production; Brian Yessian, chief creative officer; Audio Post: Yessian Music, Hamburg, Germany; Max Fritz, Michel Riecken, mixers; Agency: Grabarz and Partner, Hamburg, Germany; Production: Czar Film, Berlin; Bart Timmer, director

2:  Top Spot of the Week: Mark Molloy Directs “Lost Panda” For Tile, Deutsch

Client Tile, Inc. Agency Deutsch Pete Favat, chief creative officer, North America; Guto Araki, executive creative director; Eric Manchester, creative director/copywriter; Neal Desai, creative director/art director; Jeb Quaid, copywriter; Vic Palumbo, director of integrated production; Dan Kaplan, executive integrated producer; Mariana Perin, integrated producer; Eryk Rich, music director; Chase Butters, music producer; Dez Davis, music coordinator. Production Smuggler Mark Molloy, director; Patrick Milling Smith, Brian Carmody, co-founders; Shannon Jones, exec producer; Gustav Geldenhuys, line producer. Editorial Work Editorial Stewart Reeves, editor; Keith Hamm, Josh Sasson, assistant editors; Marlo Baird, exec producer; Brian Scharwath, producer. Color Company 3 Tom Poole, sr. colorist; Alexandra Lubrano, producer. Post CG/VFX ALT VFX, Inc. Colin Renshaw, founder/VFX supervisor; Chris Fieldhouse, exec producer; Jess Calvert, producer; Mathew Chance, head of 2D;  Chris Rentoul, animation lead. Creature Build/Panda Legacy Effects Alan Scott, producer. Graphics Lobo Mateus de Paula Santos, creative director; Luis Ribeiro, exec producer; Gabriela Leal, producer; Leandro Beltran, Bruno Ronzani, design & animation. Music Mophonics Track “Girl in My Dreams” Track courtesy of Stephan Altman, composer/creative director/performer Audio Post Lime Studios Mark Meyuhas, sound engineer; Peter Lapinski, assistant mixer; Susie Boyajan, exec producer; Kayla Phungglan, producer.

3:  The Best Work You May Never See: Ari Merkin, Director Jared Knecht Team On “I Got This” For Face the Music

Client Face the Music/Recovery Unplugged  Agency Ari Merkin Ari Merkin, copywriter/art director; Clair Grupp, executive producer; Dan Seliger, digital strategist. Production m ss ng p eces Jared Knecht, director. Editorial Exile Matt Murphy, editor; Stephania Dulowski, assistant editor; Evyn Bruce, sr. producer; Lauren Pullano, producer. Music Original Song: “I got this” by Richie Supa from the Enemy album  Music Elias Eric Ronick, creative director; Matt Phenix, head of production; Luke Atencio, additional arrangement. Color Company 3 Kath Raisch, colorist.

4:  Adobe’s “Future Is Yours”

Music/Sound: Beacon Street Studios, Venice, Calif. Beacon Street, composers; Amber Tisue, sound design; Adrea Lavezzoli, exec producer; Lindsey Lerman, producer. Audio/Post: Beacon Street Studios, Venice, Calif.
Amber Tisue, mixer; Aaron Cornacchio, mix assistant; Kate Vadnais, mix producer. Agency: Pereira & O’Dell, San Francisco. Production: Ntropic, San Francisco; Ryan Duggan, creative director.

5:  The Best Work You May Never See: Droga5, Director Malik Vitthal Help We Become “Us” In Y Anthem Spot

Client The Y Agency Droga5 NY David Droga, creative chairman; Ted Royer, chief creative officer; Kevin Brady, executive creative director; Casey Rand, Karen Short, group creative directors; Gabe Sherman, copywriter; Gage Young, art director; Patrick Newman, James Gross, jr. copywriters; Sonja Johnson, Gianna D’Amico, jr. art directors; Sally-Ann Dale, chief creation officer; Jesse Brihm, Bryan Litman, co-directors of film production; Gabija Blake, producer, film; Tony Xie, associate producer, film; Mike Ladman, music supervisor. Production The Corner Shop Malik Vitthal, director; Ashley Connor, DP; Anna Hashmi, exec producer; Jennifer Duffy, producer. Editorial Work Editorial Adam Robinson, editor; Theo Mercado, assistant editor; Erica Thompson, exec producer; Sari Resnick, producer. Postproduction Blacksmith Charlotte Arnold, exec producer; Alexa Mauro, producer; Daniel Morris, lead 2D artist; Steve Koenig, Margolit Steiner, Jay Lee, 2D artists. Color Company 3 Tom Poole, colorist; Alexandra Lubrano, producer. Music Minbal Benjamin Balcom, composer. Sound Sonic Union Michael Marinelli, mixer; Patrick Sullivan, Justine Cortale, producers.

6:  Netflix’s “Netflix is a Joke”

Music/Sound: Q Department, New York (original music) LSD, Santa Monica, Calif. (sound design) Rohan Young, sound designer. Audio Post: Technicolor, Los Angeles Ruben Gomez, sound mixer. Agency: Battery, Los Angeles. Production: Caviar, Los Angeles; Neal Brennan, director.
 

7:  Director Eli Roth, TM Advertising Usher in “Halloween Horror Nights” For Universal Studios

Client Universal Orlando Resort/Universal Studios Hollywood Agency TM Advertising, Dallas Lisa Bennett, chief creative officer; Chris Bettin, group creative director/copywriter; Marc Mintle, group creative director/art director; Hal Dantzler, director of production. Production Tool of North America Eli Roth, director; Javier Zarco, DP; Oliver Fuselier, managing partner; Mary Church, exec producer. Editorial/Sound charlieuniformtango Jack Waldrip, editor; Jake Kluge, sound engineer; Mary Alice Butler, exec producer. Music JSM Music Joel Simon, creative director.

8:  Campari/Wild Turkey’s “We Sang Our Song”

Music/Sound: Songs Publishing,  bicoastal; Song: “Testify”; Davie, musical artist; Butch Walker, additional music production. Audio Post: Sound Lounge, New York; Tom Jucarone, mixer. Agency: J. Walter Thompson New York; Paul Greco, agency music director. Production: RSA Films, bicoastal/international; Matthew McConaughey, director.

9:  Honda Australia’s “Moving You”

Music/Sound: Soundtrack: Annie Lennox and David A. Stewart, “Sweet Dreams”; Jesse Watt, composer; Nylon Studios, New York and Sydney, Australia; Karla Henwood, music producer; Chelsea Ramsden, music supervisor. Audio Post: Nylon Studios, New York, and Sydney; Stuart Welch, sound engineer. Agency: Leo Burnett Melbourne. Production: Scoundrel, Chippendale, Australia; Michael Spiccia, director.

10:  Clash of Clans “Bye Bye Builder”

Music/Sound: Butter Music and Sound, bicoastal; Andrew Sherman, chief creative officer/composer/arranger; Ian Jeffreys, managing director/EP; Kristin Kuraishi, producer. Trinitite, Brooklyn, NY Brian Emrich, sound designer. Audio Post: Heard City, New York; Evan Mangiamele, Elizabeth McClanahan, engineers. Agency: Barton F. Graf, New York. Production: Psyop, bicoastal; Trevor Conrad, director.