When director Zack Snyder was finishing his first film, a “Dawn of the Dead” remake, others in the edit bay inquired: Who was that woman barging in with helpful rejoinders like, “You know what, that sucks. You should change that”?
“That’s my girlfriend,” he’d sheepishly reply.
Snyder married TV commercial producer Deborah Johnson in 2004, the same year “Dead” was released. (Snyder’s commercialmaking home is Believe Media.) The couple has been mixing business with romance ever since, exchanging costume or set design ideas over glasses of wine. Deborah produced each of his movies since “Dead,” including the surprise hit “300,” the new female-focused action fantasy “Sucker Punch” and the next Superman franchise reboot.
The couple can’t imagine not working together. “In Hollywood, there’s a lot of hidden agendas and people are out for themselves. We go to battle with each other,” Deborah Snyder said.
The duo has a lot riding on “Sucker Punch,” Snyder’s first film not derived from outside source material and his most unhinged. It features a mélange of over-the-top movie-geek eye candy: jet packs, dragons, samurai swords, Nazi zombies, plus heroines in pigtails and stiletto heels packing heavy weaponry. The mix-and-match insanity of it all is intentional, Snyder said.
“I want the net result to be like the movie ends and you’re just like ‘What the…'” he said, smiling.
Young Australian actress Emily Browning stars as a girl trying to break herself and others out of an insane asylum while escaping into two levels of fantasy. Snyder’s signature swirling camera movements and stylized, computer-generated sets are paired with a bombastic rock score.
“It’s pretty fearless,” said Oscar Isaac, who plays the villain Blue in a beard and eyeshadow. “In the sense that he is unashamedly putting everything that he thinks is cool, every idea that he’s been wanting to see in a film — he puts it up there and does it very boldly.”
But actors on set know that each decision also goes through Deborah.
“They take risks together. They make really simple decisions together. Every little thing, they’re creating together, whether it be in the same room or not,” said Jena Malone, who plays a character named Rocket. “She approved all the costumes, all the hair and makeup. Everything went through the both of them. So you have the ultimate imagination and the ultimate kind of grounding.”
The Snyders’ Cruel and Unusual Films production company has at least four other projects churning — a constant stream of meetings and logistics updates.
“I’m always sitting there drawing or whatever. I’m always working. Because it’s a family business, it’s all hands on deck all the time,” Zack Snyder says.
The couple treasures whatever escapes they can get. They go for walks with their two Laboradors, spend time with Snyder’s six children, and recently wrapped a year-long renovation of their post-and-beam home in Pasadena. Their three vacations in the past five years were post-wrap trips to beach resorts: Los Cabos, Mexico after “300,” Turks and Caicos after “Watchmen” and Bora Bora after “Sucker Punch.”
They don’t expect another break any time soon. The Superman film, set to star Henry Cavill as the Man of Steel, is in pre-production. The Snyders — working with another husband-and-wife team of Christopher Nolan and Emma Thomas – have cast Kevin Costner and Diane Lane as Superman’s parents.
Snyder says he wants his Superman to be “immensely physical” and to face “a credible threat” from whatever villain is featured, “because I feel like that’s a thing that I’m not sure I’ve seen for a while in the Superman world.”
His biggest challenge, ironically for a superhero movie, is adjusting his own filmmaking approach to be more down-to-Earth, more realistic.
“I’d say that Superman in some ways is divinely different from the movies that I’ve made in the past,” Snyder said. “Only because it doesn’t exist in a stylized world. It exists in the real world.”
Netflix Series “The Leopard” Spots Classic Italian Novel, Remakes It As A Sumptuous Period Drama
"The Leopard," a new Netflix series, takes the classic Italian novel by Giuseppe Tomasi di Lampedusa and transforms it into a sumptuous period piece showing the struggles of the aristocracy in 19th-century Sicily, during tumultuous social upheavals as their way of life is crumbling around them.
Tom Shankland, who directs four of the eight episodes, had the courage to attempt his own version of what is one of the most popular films in Italian history. The 1963 movie "The Leopard," directed by Luchino Visconti, starring Burt Lancaster, Alain Delon and Claudia Cardinale, won the Palme d'Or in Cannes.
One Italian critic said that it would be the equivalent of a director in the United States taking "Gone with the Wind" and turning it into a series, but Shankland wasn't the least bit intimidated.
He said that he didn't think of anything other than his own passion for the project, which grew out of his love of the book. His father was a university professor of Italian literature in England, and as a child, he loved the book and traveling to Sicily with his family.
The book tells the story of Don Fabrizio Corbera, the Prince of Salina, a tall, handsome, wealthy aristocrat who owns palaces and land across Sicily.
His comfortable world is shaken with the invasion of Sicily in 1860 by Giuseppe Garibaldi, who was to overthrow the Bourbon king in Naples and bring about the Unification of Italy.
The prince's family leads an opulent life in their magnificent palaces with servants and peasants kowtowing to their every need. They spend their time at opulent banquets and lavish balls with their fellow aristocrats.
Shankland has made the series into a visual feast with tables heaped with food, elaborate gardens and sensuous costumes.... Read More