“Spotlight” is dominating awards season, but the Writers Guild has recognized a diverse slate of films, including “Trainwreck” and “Straight Outta Compton.”
The organization on Wednesday announced its selections for the best in original and adapted screenplays.
Nominated for original screenplay are Amy Schumer for her bawdy comedy “Trainwreck,” Jonathan Herman and Andrea Berloff for the N.W.A. biopic “Straight Outta Compton,” Josh Singer and Tom McCarthy for “Spotlight,” Taylor Sheridan for “Sicario,” and Matt Charman, Ethan Coen and Joel Coen for “Bridge of Spies.”
Those vying for best adapted screenplay are Aaron Sorkin for “Steve Jobs,” Phyllis Nagy for “Carol,” Drew Goddard for “The Martian,” John McNamara for “Trumbo,” and Charles Randolph and Adam McKay for “The Big Short.”
Winners will be announced at concurrent ceremonies in Los Angeles and New York City on Feb. 13.
Here’s a rundown of 2016 Writers Guild Awards screenplay nominations:
ORIGINAL SCREENPLAY
Bridge of Spies, Written by Matt Charman and Ethan Coen & Joel Coen; DreamWorks Pictures
Sicario, Written by Taylor Sheridan; Lionsgate
Spotlight, Written by Josh Singer & Tom McCarthy; Open Road Films
Straight Outta Compton, Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff; Universal Pictures
Trainwreck, Written by Amy Schumer; Universal Pictures
ADAPTED SCREENPLAY
The Big Short, Screenplay by Charles Randolph and Adam McKay; Based on the Book by Michael Lewis; Paramount Pictures
Carol, Screenplay by Phyllis Nagy; Based on the Novel The Price of Salt by Patricia Highsmith; The Weinstein Company
The Martian, Screenplay by Drew Goddard; Based on the Novel by Andy Weir; Twentieth Century Fox
Steve Jobs, Screenplay by Aaron Sorkin; Based on the Book by Walter Isaacson; Universal Pictures
Trumbo, Written by John McNamara; Based on the Biography by Bruce Cook; Bleecker Street Media
DOCUMENTARY SCREENPLAY
Being Canadian, Written by Robert Cohen; Candy Factory Films
Going Clear: Scientology and the Prison of Belief, Written by Alex Gibney; HBO Documentary Films
Kurt Cobain: Montage of Heck, Written by Brett Morgen; HBO Documentary Films
Prophet’s Prey, Written by Amy J. Berg; Showtime Documentary Films
Eleanor Adds Director Candice Vernon To Its Roster For Spots and Branded Content
Director Candice Vernon has joined production house Eleanor for U.S. representation spanning commercials and branded content. She has already wrapped several jobs at Eleanor, which waited to announce her until they had a body of work together.
Via Eleanor, Vernon made history as the first Black director on a Febreze commercial. The “Small Spaces” campaign marks a major departure from Febreze’s typical blue-and-white world. The home of the “Revolving Door” commercial is a beautiful array of bold sunset hues, African prints, and African art.
Vernon said, “I asked myself, what feels right to me? What feels new? I wanted to bring an essence of not just Black Americans but the full diaspora. I wanted to make a statement that we’re not a monolith.”
Following the success of the “Small Spaces” campaign, Febreze brought Vernon back for a comedy-infused trifecta exploring the hilarious situations that call for an air freshening hero.
Febreze Brand VP Angelica Matthews said, “About two years ago, we realized the consumers that were the most loyal to Febreze were the African American consumers. And the more we learned, the more we realized the richness that we were really missing. So we said we have to go beyond just Black casting, we need to get Black directors that truly understand the culture that truly understand how to bring authentic performances out on screen. We really looked around the industry and noticed there’s actually a shortage of African American directors who have experience doing commercials. When we all saw Candice’s reel, we could all tell the passion for the craft, passion for really trying to help us from where we are to where we’re trying to go.”
Vernon brings a unique lens to... Read More