For the third consecutive year, Wieden+Kennedy, Portland, Ore., has won the primetime commercial Emmy Award, the latest coming last night (9/10) for Chrysler’s “Born Of Fire” directed by Samuel Bayer of Serial Pictures and edited by Tommy Harden of Joint Editorial. W+K won the Emmy last year for Old Spice Body Wash’s “The Man Your Man Could Smell Like” directed by Tom Kuntz of MJZ, and in 2009 for Coca-Cola’s “Heist” directed by the Psyop collective from the Psyop studio.
“Born of Fire”–which debuted on this year’s Super Bowl telecast–played as much as an anthem for Detroit as it did for Chyrsler itself. In some respects the sought after economic comeback of the Motor City was intertwined with that of Chrysler as we see gritty urban images–some reflecting hard times–yet still feel an attitude of perseverance and survival in the face of adversity. Also captured are city landmarks, hustle and bustle, a sense of emergence, and a feeling of determination among people in Detroit. We also eventually see Eminem driving a Chyrsler 200, with all the action playing to the strains of his music from 8 Mile.
“What does this city know about luxury, huh? the narrator asks. “What does a town that’s been to hell and back know about the finer things in life? Well, I’ll tell you–more than most. You see, it’s the hottest fires that make the hardest steel. Because when it comes to luxury, it’s as much abuot where it'[s from as who it’s for. Now, we’re from America, but this isn’t New York City or the Windy City or Sin City, and we’re certainly no one’s Emerald City.”
Feedback was overwhelmingly positive about the spot and it’s “Imported from Detroit” mantra/tagline.
Earned media
What’s ironic, noted W+K’s Joe Staples, a creative director (along with Aaron Allen) and writer on “Born Of Fire,” is that the two-minute spot premiered on the Super Bowl, the most expensive media buy, yet at the same time generated even more invaluable earned media.
“YouTube views, social chattter, email–the earned media just exploded. We sure seem a lot smarter in hindsight,” quipped Staples.
Allen and Staples gave the ultimate credit to Chrysler. “Without a trusting and brave client, this wouldn’t have been possible,” affirmed Allen earlier this year in a SHOOT interview. “When you read them a spot, it seemed like they’d look at their arms to see if they had goosebumps. If they did, they gave us the green light. By being brave, Chrysler taught us you can trust your gut even if you can’t necessarily explain why you feel something is the right thing to do and the time is right to do it. I don’t think anyone expected the spot to get the kind of overwhelming positive response it got on the Super Bowl. But we felt we had something special when we were putting it all together.”
“Born Of Fire” topped a 2011 field of spot nominees that also consisted of Nissan LEAF’s “Polar Bear” directed by Daniel Kleinman of Epoch Films and London-based Rattling Snake for TBWAChiatDay, Los Angeles; McDonald’s “Baby” directed by Fredrik Bond of MJZ for TBWAChiatDay, New York; Old Spice Body Wash’s “Questions” directed by MJZ’s Tom Kuntz for Wieden+Kennedy, Portland; American Express’ “Conan-Curtain” directed by Bryan Buckley of Hungry Man for Ogilvy & Mather, New York; and Subaru’s “Baby Driver” directed by Jake Scott of RSA Films for Carmichael Lynch, Minneapolis.
Preliminary tally
The primetime commercial Emmy Award was presented at the Creative Arts ceremony this past weekend. The balance of the 2011 Emmys will be bestowed during the live telecast/ceremony on Suday, Sept. 18.
In the Creative Arts portion of the Emmys, Boardwalk Empire led the way with seven Emmy Awards, followed by Gettysburg and Deadliest Catch with four apiece, and Mildred Pierce, The Kennedys, Freedom Riders, Saturday Night Live and So You Think You Can Dance with three each.
Among the Gettysburg honors for the History channel was the Outstanding Nonfiction Special Emmy. Gettysburg was produced by Ridley and Tony Scott’s Scott Free Produtions in association with Herzog & Company. Gettysburg was directed by Adrian Moat, known for his commercialmaking on both sides of the Atlantic via Scott Free sister shop RSA Films.
“Wicked,” “Dune: Part Two,” “Emilia Pérez” Among Feature Film Winners At MPSE Golden Reel Awards
Wicked, Dune: Part Two, Emilia Pérez, Saturday Night and The Wild Robot were among that feature category winners at the 72nd Annual Motion Picture Sound Editors (MPSE) Golden Reel Awards held Sunday (2/23) at the Wilshire Ebel Theatre in Los Angeles. The Golden Reel Awards honor outstanding achievement in sound editing, sound design, music editing and foley artistry in film, television and gaming.
Television winners included Shōgun, Ripley, The Penguin and Only Murders in the Building.
Two honorary awards were also presented: Kevin Costner received the Filmmaker Award and supervising sound editor Greg Hedgepath, MPSE received the Career Achievement Award. Patton Oswalt served as the evening’s emcee, marking the third time he’s hosted the Golden Reel Awards. MPSE president David Barber presided over the festivities as the sound community came together to celebrate their own. The MPSE invited firefighters to attend the gala as special guests with the audience honoring them for their heroic efforts during the recent L.A. wildfires.
Here’s a category-by-category rundown of the Golden Reel Award winners.
WINNERS FOR THE 72ND ANNUAL MPSE GOLDEN REEL AWARDS
Outstanding Achievement in Sound Editing – Broadcast Animation
Secret Level: “Warhammer 40,000: They Shall Know No Fear”
Amazon Prime
Supervising Sound Editors
Brad North MPSE
Matt Yocum MPSE
Sound Designers
Joseph Fraioli
Nolan McNaughton MPSE
Ryan Sullivan
Sound Effects Editors
Chris Battaglia MPSE
Harry Cohen MPSE
Foley Editors
Matt Manselle
Matt Telsey
Foley Artist
Brian... Read More