Four students, one from each major region of the world, have been named first-place winners in the 2009 edition of the annual Kodak Film School Competition. The winners are: Chris Freilich from the American Film Institute in the U.S.; Hatuey Viveros from Centro de Capacitacion Cinematografica in Mexico; Andrzej Krol from the Fachhochschule Dortmund in Germany; and Liu Yizeng from Beijing Film Academy in China.
Now in its 10th year, the annual competition recognizes the creativity and talent of student cinematographers in the collaborative process of visual storytelling.
John Bailey, ASC, a world-recognized cinematographer with more than 70 credits of his own, judged the regional entries. “John’s diversity of experience and interest in nurturing the next generation of filmmakers adds immeasurably to the quality of this competition,” said Wendy Elms, Worldwide Education Segment manager for Kodak’s Entertainment Imaging Division. “All students who enter benefit from John’s insights and his understanding of the possibilities of film.”
The student filmmakers tackled a diverse range of subject matter. Freilich’s Half Kenneth tells the story of a young man and his brother who escape a war relocation camp in 1945. Viveros’ La Cancion de los Ninos Muertos recalls a summer spent amid depression and alcohol in an old hut on the beach. Birthday, from Krol, takes a father back to his son’s fifth birthday party in flashes of memory. The Accident by Yizeng tells the story of two people’s destinies who cross because of a car accident.
The winners receive a trip to the 2010 Clermont-Ferrand Short Film Festival in France, where they will have the opportunity to screen their film in the Kodak Short Film Showcase. The filmmakers also can participate in networking sessions and other activities which are part of the festival.
“Young filmmakers need to have their work seen by judges of the caliber of John Bailey–and by their peers,” said Elms. “By providing the opportunity for that, we hope to encourage the next generation of cinematographers to pursue their passion to tell stories on film. This is one of many ways that Kodak supports students and film schools around the world.”
The Kodak Film School Competition is open to students and recent graduates in Asia, Latin America, Canada and the U.S., as well as Europe and the Middle East. Participants must first compete at a national level. Those who move on to the finalist pool are then judged for the top four spots in this annual competition. All entries must be produced on film by a student crew.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More