By Robert Goldrich
Below are profiles of a dozen leading helmers who have made a major impact on advertising and marketing. These profiles are followed by Creative Perspectives, a look at new directorial talent that bears watching. And check out Cinematography Chatter in our Columns section in which cinematogrphers offer insights into their working relationships with directors.
At the time we were putting the finishing touches on this issue, we had also earnestly embarked on our fifth annual New Directors Search, which will culminate in SHOOT’s fifth annual New Directors Showcase, a major event that will take place at the Directors Guild of America Theatre in New York on May 23. The ties between the spring Directors Series and our new talent competition are strikingly evident in the pages that follow.
For one, David Gray of Hungry Man was included in our 2005 New Directors Showcase. This January he was nominated for the DGA Award recognizing the best commercial director of ’06. In less than two years he went from being at the DGA’s Manhattan venue as part of our Showcase to appearing at the DGA Awards in Los Angeles as a nominee.
Gray is profiled in our Directors Series section as are former SHOOT Showcase helmers Yael Staav of Reginald Pike, Aaron Ruell who recently joined Biscuit Filmworks and John Immesoete of Backyard Productions and sister shop Seed. Via the latter, Immesoete created and developed three series for the recently launched online entertainment network bud.TV, underscoring the opportunities that are emerging for talented industry artisans.
Speaking of bud.TV, this issue’s coverage of up-and-coming directors in the feature titled “Creative Perspectives” includes the team of Don & John of HSI Productions who recently scored their first big ad industry helming break with episodes of The Arrogant Fake British Rich Guy and Guided Meditation With The Billy Lama, which are both series out of DDB Chicago for the ambitious Budweiser network. Don & John are former agency creatives, a background prevalent in our spring crop of new directors.
And our search for new talent isn’t confined to Directors Series editions or the New Directors Showcase. Virtually every issue of SHOOT provides exposure for emerging artisans. For example, in this week’s “The Best Work You May Never See” gallery, we feature a spec spot conceived and directed by Nir Bashan, a promising newcomer who recently signed with BeachHouse Films.
Indeed among our most enjoyable pursuits is having a hand in uncovering new talent. In that light, we hope you enjoy this special issue and we welcome your feedback at rgoldrich@shootonline.com
Damien Chazelle, Miles Teller, J.K. Simmons On The Return Of “Whiplash” To Theaters After 10 Years
Ten years after " Whiplash " took the film world by storm, Damien Chazelle's breakthrough feature is returning to theaters nationwide Friday.
In 2014, "Whiplash" was the ultimate indie movie Cinderella story — a Sundance discovery made by a 20-something that that would go on to become both a box office hit and an awards darling: It won three Oscars, including for J.K. Simmons ' portrayal of a semi-sadistic and ever quotable jazz ensemble instructor; launched Chazelle's directing career into the A-list stratosphere; and established Miles Teller as a next generation movie star. Now, audiences will get another chance to experience it on the big screen.
Chazelle, Teller and Simmons spoke recently about the re-release, their memories of the 20-day shoot (including when Teller accidentally broke his co-star's rib) and making something with staying power. Remarks have been edited for clarity and brevity.
Q: What has it been like watching "Whiplash" settle into the culture in the past decade?
CHAZELLE: It's very cool, a little surreal. It doesn't feel like 10 years. It's fun to have a moment like this to relive it a little bit.
SIMMONS: It's sobering to know that I'm 10 years older. It's kind of shocking and kind of awesome that the movie actually holds up. I just saw it a few days ago in Toronto: That's a good piece of cinema.
TELLER: This is the first time I've ever had a movie re-released. I'm still fairly young into my career, but it's an incredible movie. The one thing that's frustrating for me is that people just yell out at me all the time, " not my tempo." So that's stuck around well.
SIMMONS: Maybe if you get the tempo... Read More