By Jocelyn Noveck, AP National Writer
It's been more than three years since the #MeToo movement launched a culture-shifting conversation about sexual violence. But Tarana Burke, the activist who gave the movement its name, says concrete change has been incremental at best — and especially for Black survivors.
Now, Burke is part of a new initiative — called "We, As Ourselves" — in which three prominent groups are focusing on those survivors, who she says often feel that #MeToo has passed them by.
In an interview, Burke said that when #MeToo exploded into view in 2017, a result of the Harvey Weinstein scandal, "Black women just kept saying, 'Where are WE? Where ARE we? Where do we show up?'"
"The world was changing but we weren't being swept up in those changes," she said. "It's almost like trickle-down theory: 'Let's just hope some of this goodness will trickle down to Black folks and they will benefit from it.' Well, that's not going to happen unless we are intentional" about addressing the issue.
The initiative, announced Wednesday, is a collaboration between 'me too.' International, the group founded by Burke; the National Women's Law Center; and the TIME'S UP Foundation.
In a statement, the groups said they were working together to create safe spaces for Black survivors; to confront narratives "that harm and silence Black survivors;" and lastly to come up with new practices that will help get Black survivors "believed, heard, and supported."
Burke said the most important immediate impact will simply be that a national conversation is being had.
"The biggest part is there IS an initiative," Burke said. "There's been work done on local levels, by grass-roots community organizations. But we've never had a national campaign specific to Black survivors of sexual violence."
She added that few people realize just how little the issue is spoken about in the Black community. "So raising the flag and having decided to talk about it alone is a big deal."
Among the initiative's concrete plans: narrative research; conversation guides; a five-part event series; and "rapid-response tools" to support Black survivors who come forward. A week of action is planned for Sexual Assault Awareness Month in April. The coalition also released a "Love Letter to Survivors," a video tribute from activists and celebrities like Gabrielle Union-Wade, Jurnee Smollett, Tamron Hall and Valerie Jarrett, the former adviser to President Barack Obama.
"The labor of Black women lies at the core of our culture, our economy, and our democracy, yet our voices and our needs are continually sidelined and ignored both by the media and our institutions writ large," said Fatima Goss Graves, president and CEO of the National Women's Law Center, in a statement. "Safety begins by listening to Black survivors and trusting them to know the conditions that will allow them to rise to the fullest of their potential, above the harm and trauma that continually tries to silence them."
Added Monifa Bandele, chief operating officer for TIME'S UP Foundation: "For generations, Black women have been excluded from the conversation and, when they are included, the narratives created around Black survivors, women, and girls are dangerous, destructive, and undermine their credibility and experiences at every turn … We will no longer allow this to happen under our watch."
Burke noted that one of the main obstacles for Black survivors of sexual violence is the fact that conversation is dominated in the media by accusations against powerful and famous men — and little else.
"We had the R. Kelly documentary, the Russell Simmons documentary," she said, "and we were, like, 'OK that's not really our stories. That's A story, but it's not representative of most people's lives and experiences."
She also said that during the conversations about racial equality that dominated the national stage in recent months, there had been little mention of sexual violence, and that when she tried to raise it she was told by some: "This is not the time."
"We tend to segment things," she said, but "these things are inextricably linked to me."
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More