By Russell Contreras
ALBUQUERQUE, NM (AP) --Before Chuck Boers joined the U.S. Army, the Lipan Apache member was given his family's eagle feathers. The feathers had been carried by his great-great-great-grandfather on his rifle when he was an Apache scout.
They also were carried by relatives who fought in World War I, World War II, Korea and Vietnam. In 2004, Boers had the feathers with him during the Battle of Fallujah in Iraq. "I felt like I had my family with me to protect me," he said.
"The Warrior Tradition," a new film set to air on PBS, examines the complex history of Native Americans in the U.S. military since World War I and how their service transformed the lives for Native Americans from various tribes. Through interviews with veterans and using archival footage, the documentary probes the complicated relationship Native Americans had with military service and how they used it to press for civil rights.
The documentary exhibits the mixed feelings some Native Americans felt toward the U.S. military and how tribal members embraced those who served as "warriors."
"From just about the beginning of the United States itself, the government has fought various wars against Native nations. And that's the irony," Patty Loew, director of the Center for Native American and Indigenous Research at Northwestern University, said in the film.
But Native Americans, from tribes in Oklahoma to nations in Washington, joined the U.S. military to honor their "end of the treaty" that the U.S. government previously broke, Loew said.
At the onset of World War I, the first generation of Native Americans after the so-called Indian Wars began joining the U.S. Army even though they weren't considered citizens or allowed to vote. Returning veterans, and also those from World War II, earned accolades for their service. For example, Comanche and Navajo Code Talkers in World War II were credited with passing secrets amid hostile fighting.
The returning veterans began demanding the right to vote and fought against discrimination. For example, Miguel Trujillo Sr., a Marine sergeant in World War II and a member of Isleta Pueblo in New Mexico, returned and waged a legal battle to overturn that state's law that barred American Indians living on reservations from participating in elections.
Director Larry Hott said the veterans in the film believed military service was part of their family history and wasn't just about a way to escape poverty. It's part of a legacy that goes back generations, he said.
"Many have waited a long time to talk about this," Hott said. "One veteran told me he hadn't even told his wife about his experiences."
Retired Army Sgt. Maj. Lanny Asepermy, who is Comanche and Kiowa, said after the Comanches surrendered to the U.S. in 1875, the tribe's warrior tradition was hurt. Then some Comanche joined World War I.
"We became warriors again," Asepermy said. He grew up seeing photos of relatives in the military at his grandparents' home. "I've always wanted to be a soldier. I didn't want to be anything else."
He'd fight a year in Vietnam. Before he left, his grandmother prayed over him in the Kiowa language and placed medicine on him. "A couple of times in Vietnam, I could have gotten killed. Was it luck?" Asepermy said. "I think it was because of the prayers my grandmother gave me."
The one-hour documentary co-produced by WNED-TV Buffalo Toronto and Florentine Films/Hott Productions, Inc., is scheduled to air on most PBS stations on Monday.
First-Time Feature Directors Make Major Splash At AFI Fest, Generate Oscar Buzz
Two first-time feature directors who are generating Oscar buzz this awards season were front and center this past weekend at AFI Fest in Hollywood. Rachel Morrison, who made history as the first woman nominated for a Best Cinematography Oscar---on the strength of Mudbound in 2018--brought her feature directorial debut, The Fire Inside (Amazon MGM Studios), to the festival on Sunday (10/27), and shared insights into the film during a conversation session immediately following the screening. This came a day after William Goldenberg, an Oscar-winning editor for Argo in 2013, had his initial foray into feature directing, Unstoppable (Amazon MGM Studios), showcased at the AFI proceedings. He too spoke after the screening during a panel discussion. The Fire Inside--which made its world premiere at this year’s Toronto International Film Festival--tells the story of Claressa “T-Rex” Shields (portrayed by Ryan Destiny), a Black boxer from Flint, Mich., who trained to become the first woman in U.S. history to win an Olympic Gold Medal in the sport. She achieved this feat--with the help of coach Jason Crutchfield (Brian Tyree Henry)--only to find that her victory at the Summer Games came with relatively little fanfare and no endorsement deals. So much for the hope that the historic accomplishment would be a ticket out of socioeconomic purgatory for Shields and her family. It seemed like yet another setback in a cycle of adversity throughout Shields’ life but she persevered, going on to win her second Gold Medal at the next Olympics and becoming a champion for gender equality and equitable pay for women in sports. Shields has served as a source of inspiration for woman athletes worldwide--as well as to the community of... Read More