By Jake Coyle, Film Writer
NEW YORK (AP) --Monkey business still pays. "War for the Planet of the Apes" took down "Spider-Man: Homecoming" at the North American box office, opening with an estimated $56.5 million in ticket sales.
Though some initially expected a closer race, "Spider-Man" dropped to second with $45.2 million after its $117 million debut last weekend. But director Matt Reeves' "War for the Planet of the Apes" pulled away thanks to strong reviews for the third installment of the rebooted "Apes" franchise. Led by Andy Serkis' celebrated motion-capture performance as the ape leader Caesar, "War for the Planet of the Apes" won a 94 percent fresh rating on Rotten Tomatoes.
Fox's "Apes" led something of a summer anomaly: There is an unusual confluence of acclaimed films in release. Five of the top six at the box office ("Apes," ''Homecoming," ''Baby Driver," ''The Big Sick" and "Wonder Woman") boast Rotten Tomatoes rankings of 92 or better, and the sixth ("Despicable Me 3") was largely received as a solid enough family release.
Summer, rarely a critics' paradise, is suddenly flush with good movies.
"What I think sets the 'Planet of the Apes,' these three films, apart from other franchise films, is that it's not gratuitous sequel-itis," said Chris Aronson, Fox's distribution chief. "This is storytelling, and it's episodic storytelling. It's not 'Well, let's put the band back together.' "
But there were also hints of franchise fatigue for the "Planet of the Apes" series. Reeves' latest edition came in closer to 2012's "Rise of the Planet of the Planet of the Apes," and well below the $72.6 million debut of 2014's "Dawn of the Planet of the Apes." The film, which cost about $150 million to produce, added $46 million from overseas. ("Spider-Man: Homecoming" was still king overseas, where it added $72.3 million to bring its global haul to nearly $500 million.)
Aronson believes the good word-of-mouth will carry "War for the Planet of the Apes." ''At the end of the day, we're going to have a terrific multiple and it will be a lot closer to 'Dawn' than it will be 'Rise,' " he said.
Universal's family sequel "Despicable Me 3" pulled in $18.9 million in its third week, bringing its cumulative total to $188 million domestically. Sony's Edgar Wright action comedy "Baby Driver" followed behind with $8.8 million; its three week gross is $73.2 million.
The weekend's other most notable new entrant was Kumail Nanjiani's acclaimed romantic comedy "The Big Sick," which expanded to about 2,600 theaters after three weeks of limited release. The Lionsgate-Amazon Studios film, produced by Judd Apatow, made $7.6 million — a rare success for a comedy in a summer full of disappointment .
The horror film "Wish Upon," from Broad Green Pictures, was the weekend's only other new release. It opened with $5.5 million and a dismal C CinemaScore from audiences.
Next weekend may well continue the streak of well-reviewed summer releases. Christopher Nolan's World War II thriller "Dunkirk" lands in theaters following rapturous early reactions.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers also are included. Final domestic figures will be released Monday.
1. "War for the Planet of the Apes," $56.5 million ($46 million international).
2. "Spider-Man: Homecoming," $45.2 million ($72.3 million international).
3. "Despicable Me 3," $18.9 million ($71 million international).
4. "Baby Driver," $8.8 million ($6.2 million international).
5. "The Big Sick," $7.6 million.
6. "Wonder Woman," $6.9 million ($3.3 million international).
7. "Wish Upon," $5.6 million.
8. "Cars 3," $3.2 million ($20.1 million international).
9. "Transformers: The Last Knight," $2.8 million ($6.7 million international).
10. "The House," $1.8 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Spider-Man: Homecoming," $72.3 million.
2. "Despicable Me 3," $71 million.
3. "War for the Planet of the Apes," $46 million.
4. "Wukong," $37 million
5. "Cars 3," $20.1 million.
6. "Pirates of the Caribbean: Dead Men Tell No Tales," $7.5 million.
7. "Transformers: The Last Knight," $6.7 million.
8. "Silver Soul," $6.3 million.
9. "Baby Driver," $6.2 million.
10. "Wonder Woman," $3.3 million.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More