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    Vinton Flames Out For Chili’s

    By SHOOT StaffUpdated:No Comments1406 Views
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    CLIENT

    Brinker International/

    Chili’s Grill & Bar.

    PRODUCTION CO.

    Vinton Studios, Portland, Ore.

    Teresa Drilling, director; Mark Eifert, DP; Laura DiTrapani, assistant director; Zilpha Yost, executive producer; Leslie O’Connor, producer; Doug Hout, art director; Kathleen Nichols, associate art director; Brian Ormiston, storyboard artist/master animator; Maria Klein and Bob Willard, modelbuilders; Scott Tom, armaturing/fabrication; Jim McAllister, head carpenter; Kerry Pierce, CG modelbuilder; Patrick Van Pelt, CG animator; Tony Merrithew, master animator; JonDavid Buffam, set wrangler; Toby Etheridge, stage manager; Erica Gray, camera assistant; Brett Crucher and Gary McRobert, motion control operators; Roy Bellows-Fairchild, gaffer; John Banholzer, grip; Bill Halkinrude, Nick Childs, Deanne Rizzo, David Cole and Mandi Hood, production assistants.

    OneSuch Films, New York.

    Bruce Nadel, director/DP (tabletop); Rick Katzen, executive producer/line producer. Shot at OneSuch Films.

    AGENCY

    GSD&M, Austin, Texas.

    Guy Bommarito, creative director; Kate Talbott, producer; Kristen Hanson, art director; Gerald Seifert, copywriter.

    EDITORIAL

    Vinton Studios.

    Scott Sundholm, editor; Steve Briske, assistant editor; Rebecca Rockom, editorial support.

    POST/VISUAL EFFECTS

    Vinton Studios.

    Tom Burney, online editor/Flame operator; Phil Guzzo, Noah Klabunde and Jon Weigant, compositors.

    Downstream digital, Portland.

    Jim Barrett and Michael Mintz, colorists.

    AUDIO POST

    DownStream digital.

    Lance Limbocker, engineer.

    MUSIC

    Groove Addicts, Los Angeles.

    Tim Wynn, composer; Dain Blair, creative director.

    THE SPOT

    In the stop motion :30 "Origami," brightly colored squares of paper fold and twirl, transforming themselves into a landscape of dancing chili peppers. The peppers become paper flames that dissolve into real flames to showcase Chili’s grilled baby back ribs.

    Spot broke July 2.

    Category:ScreenWork



    “Beatles ’64” Documentary Captures Intimate Moments From Landmark U.S. Visit

    Thursday, November 28, 2024

    Likely most people have seen iconic footage of the Beatles performing on "The Ed Sullivan Show." But how many have seen Paul McCartney during that same U.S. trip feeding seagulls off his hotel balcony?

    That moment — as well as George Harrison and John Lennon goofing around by exchanging their jackets — are part of the Disney+ documentary "Beatles '64," an intimate look at the English band's first trip to America that uses rare and newly restored footage. It streams Friday.

    "It's so fun to be the fly on the wall in those really intimate moments," says Margaret Bodde, who produced alongside Martin Scorsese. "It's just this incredible gift of time and technology to be able to see it now with the decades of time stripped away so that you really feel like you're there."

    "Beatles '64" leans into footage of the 14-day trip filmed by documentarians Albert and David Maysles, who left behind 11 hours of the Fab Four goofing around in New York's Plaza hotel or traveling. It was restored by Park Road Post in New Zealand.

    "It's beautiful, although it's black and white and it's not widescreen," says director David Tedeschi. "It's like it was shot yesterday and it captures the youth of the four Beatles and the fans."

    The footage is augmented by interviews with the two surviving members of the band and people whose lives were impacted, including some of the women who as teens stood outside their hotel hoping to catch a glimpse of the Beatles.

    "It was like a crazy love," fan Vickie Brenna-Costa recalls in the documentary. "I can't really understand it now. But then, it was natural."

    The film shows the four heartthrobs flirting and dancing at the Peppermint Lounge disco, Harrison noodling with a Woody Guthrie riff on his guitar... Read More

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