By Nicole Winfield
VENICE, Italy (AP) --Two stars at the Venice Film Festival, Cate Blanchett and Tilda Swinton, have praised the decision by the Berlin festival to award gender-neutral prizes, with Swinton predicting other award ceremonies will follow suit.
Organizers of the Berlin International Film Festival announced last month that they would stop awarding separate acting prizes to men and women starting next year. The best actor and actress Silver Bear prizes will now be replaced by best leading performance and best supporting performance awards.
Swinton, who received a Golden Lion Lifetime Achievement award at the Venice festival's opening ceremony, said divisions by gender were a "waste of life."
"And so I'm really happy to hear that about Berlin," she told reporters Thursday. "And I think it's pretty much inevitable that everybody will follow, because it's just obvious to me."
Blanchett, president of the Venice jury this year, said she instinctively calls herself an "actor." She said it's hard enough "to sit in judgment of other people's work" and then even harder to break it down further along gender lines.
"I'm of a generation where the word 'actress' was used always in a pejorative sense. So I think I claim the other space," she said. "I think good performances are good performances, no matter the sexual orientation of the performers who are making them."
The Venice festival has long been criticized for the lack of female directors in its in-competition films, with only four films made by women in the 62 films competing for the top Golden Lion award between 2017 and 2019.
This year, the gender parity has improved, with 44% of the in-competition films directed by women.
French director Nicole Garcia, whose film "Lovers" is competing for the Golden Lion, said she hoped she and her fellow female directors were chosen to participate in Venice on merit and not to achieve a certain gender quota.
"Being a director means concentrating, focusing on anyone: woman and a man, kids, old people and not having to stem your gender," she told reporters Thursday. "When you are an actor, you are a man or a woman, and so you are bound to your role. But if you are a director, you simply are a director. It doesn't matter if you are a man or a woman."
Insisting on boosting women directors in the ranks at festivals, she said, was actually "anti-feminist."
Garcia's film stars Stacy Martin as Lisa, who loves her drug-dealing boyfriend but marries a wealthy developer after the boyfriend flees when a drug deal turns bad. The film takes a dark turn when the lovers cross paths again.
Swinton was also in Venice to present a short film directed by Pedro Almodovar, "The Human Voice," about a woman's emotional response to being left by her lover over the phone.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More