CBS on Wednesday revealed a few nips and tucks it is planning next season for what is already network television’s most successful schedule, including adding a comedy with Robin Williams playing an unorthodox advertising executive with Sarah Michelle Gellar as his daughter.
It will move “Person of Interest” to Tuesdays, pairing it with “NCIS” and “NCIS: Los Angeles” to have television’s three most-watched dramas on the same night and the same network.
Four comedies and one drama will debut on CBS this fall. CBS ordered only eight new series for the season, while rivals ABC, NBC and Fox are introducing a total of 41. CBS will end this season with the widest margin of victory in viewers of any network in 24 years and even win among the advertiser-desired demographic of 18- to 49-year-olds for the first time since the early 1990s, said Leslie Moonves, CBS Corp. CEO.
Moonves took notice of how Jimmy Kimmel called CBS executives smug during ABC’s schedule presentation on Tuesday, the late-night comic even adding an unprintable noun. If true, Moonves said, “I guess that means we’re winning.”
The company’s stock just exceeded $50 a share for the first time, said Moonves, who was given a $22 million signing bonus upon extending his contract last year.
Dealing with such riches, CBS rejected pilots of a “NCIS: Los Angeles” spinoff and a TV remake of “Beverly Hills Cop” backed by Eddie Murphy. Melissa McCarthy’s popular comedy “Mike & Molly” was left off the schedule and stuck in the bullpen, ready to return to plug any holes. CBS ordered 22 episodes of the sitcom.
Williams’ comedy is called “The Crazy Ones,” a reference to his comic style, and is getting a prime Thursday-night time slot after “The Big Bang Theory,” television’s most popular comedy. Among its producers is David E. Kelley.
“We think this is going to be the most talked-about show this fall,” said Nina Tassler, CBS’ entertainment president.
Chuck Lorre, TV’s premiere comedy producer, is behind “Mom,” a new Monday-night sitcom starring Anna Faris as a newly sober single mom with Allison Janney as her estranged mother. “We Are Men” is about four love-challenged single men living in the same apartment complex, with Tony Shalhoub as one of the stars.
CBS’ other new comedy is “The Millers,” with Will Arnett playing a recently divorced man whose plans to enjoy the single life are disrupted when his parents move in.
CBS is also trying something new in drama by ordering two limited-run series for its Monday-night schedule. “Hostages,” produced by Jerry Bruckheimer, stars Toni Collette as a surgeon who is taken hostage the night before she is to operate on the president. After a 15-episode run, it will be replaced by “Intelligence,” about an agent whose smarts are enhanced by a microchip implanted in his brain.
The network is canceling “CSI: N.Y.,” ”Vegas,” ”Golden Boy” and “Rules of Engagement.”
The drama “Hawaii Five-0” will shift from Monday to Friday nights on the schedule. CBS usually runs drama reruns on Saturday, but next year will also air two comedies that night.
Midseason shows include:
—”Reckless,” a legal drama set in Charleston, S.C., where a Yankee litigator and Southern lawyer have the hots for each other despite being on opposite sides of a long-running case.
—”Friends With Better Lives,” a romantic comedy. Like its title suggests, it focuses on six friends at different stages of their romantic lives, all wondering if their pals have it better.
“Mickey 17” Tops Weekend Box Office, But Profitability Is A Long Way Off
"Parasite" filmmaker Bong Joon Ho's original science fiction film "Mickey 17" opened in first place on the North American box office charts. According to studio estimates Sunday, the Robert Pattinson-led film earned $19.1 million in its first weekend in theaters, which was enough to dethrone "Captain America: Brave New World" after a three-week reign.
Overseas, "Mickey 17" has already made $34.2 million, bringing its worldwide total to $53.3 million. But profitability for the film is a long way off: It cost a reported $118 million to produce, which does not account for millions spent on marketing and promotion.
A week following the Oscars, where "Anora" filmmaker Sean Baker made an impassioned speech about the importance of the theatrical experience – for filmmakers to keep making movies for the big screens, for distributors to focus on theatrical releases and for audiences to keep going – "Mickey 17" is perhaps the perfect representation of this moment in the business, or at least an interesting case study. It's an original film from an Oscar-winning director led by a big star that was afforded a blockbuster budget and given a robust theatrical release by Warner Bros., one of the few major studios remaining. But despite all of that, and reviews that were mostly positive (79% on RottenTomatoes), audiences did not treat it as an event movie, and it may ultimately struggle to break even.
Originally set for release in March 2024, Bong Joon Ho's follow-up to the Oscar-winning "Parasite" faced several delays, which he has attributed to extenuating circumstances around the Hollywood strikes. Based on the novel "Mickey7" by Edward Ashton, Pattinson plays an expendable employee who dies on missions and is re-printed time and time again. Steven... Read More