FilmLA, partner film office for the City and County of Los Angeles and other local jurisdictions, has issued an update showing that regional filming activity has decreased significantly. Local on-location film production declined in the first quarter of 2023, mustering 7,476 Shoot Days (SD) to finish 24 percent behind Q1 2022 (with 9,832 SD) and 16.8 percent below the region’s five-year Q1 average. The post-COVID production surge seen at this time last year was nowhere to be found in early 2023, according to the latest report.
“Over three consecutive quarters, we’ve seen a significant slowdown across all of the most economically important categories of on-location production,” noted FilmLA president Paul Audley. “Particularly in the television world, decisions about future content direction are on hold, pending the outcome of corporate restructuring actions and industry labor negotiations.”
Television, which was a sustaining force during the region’s recovery from COVID-related impacts, posted the largest quarterly decline among the major production categories, falling 35.8 percent to a total of 2,868 SD. This figure was also 24.2
percent below the category’s five-year quarterly average.
Looking at the sub-genres of television production, TV dramas were down 40.4 percent compared to the previous year, declining from 1,279 to 762 SD. TV dramas that shot in the region last quarter included The Company You Keep (ABC), All American (The CW), Mayans MC (FX), The Sympathizer (HBO), Presumed Innocent (Apple TV+) and Interior Chinatown (Hulu). A total of 186 of the 762 TV Drama SD–24.4 percent–were from projects enrolled in the California Film & Television Tax Credit Program.
TV reality production, which also performed well during the recovery period, fell 37.8 percent in Q1 (1,617 SD vs. 2600 SD); however, production levels in this category hover 17.4 percent above the five-year average. TV pilots, produced far less often in an age of direct-to-series orders, generated just seven SD for the quarter–a 88.3 decline from the previous year, and 95.4 percent below the five-year average.
TV sitcoms posted the highest year-over-year increase of any television category last quarter, increasing to 324 SD from 259 SD. Despite this 25.1 percent increase, the category remained 22.1 percent below the five-year average. TV sitcoms that filmed
locally last quarter included American Auto (NBC), Young Sheldon (CBS), Curb Your Enthusiasm (HBO), It’s Always Sunny in Philadelphia (FX), Killing It (Peacock), and This Fool (Hulu). A total of 12 out of the 186 TV sitcom SD–3.7 percent–were recipients of the California Film & Television Tax Credit.
The feature film category remained flat for the quarter–595 SD in 2023 vs. 594 SD in 2022–but was down 13.1 percent from the five-year average. A total of 99 SD–16.6 percent of feature production–was tied to the state’s film incentive. Local productions included Unicorn (Apple Studios), Fast X (Universal Pictures), Black Girl, Erupted (BET Her), On Swift Horses (independent), Stealing Pulp Fiction (independent) and Wishing Well (independent).
Commercial production continued its decline last quarter with a 22.5 percent drop compared to last year (to 899 SD), and an even steeper 32.5 percent compared to its five-year average. Companies such as Ally Bank, Chevron and Walmart recently filmed spots locally, as did car companies such as BMW, Dodge, Ford, Genesis, Honda, Hyundai, Toyota and Volvo.
The Other category, which included still photography shoots, student films, music videos and all other miscellaneous production categories was down by 13.7 percent compared to last year with 3,114 SD and down 1.6 percent compared to its five-year average.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More