By Lynn Elber, Television Writer
LOS ANGELES (AP) --A “CSI: Crime Scene Investigation” episode about prejudice and an Alzheimer’s documentary with Maria Shriver are among eight programs to be honored Wednesday for demonstrating the power of TV.
The third annual Television Academy Honors spotlighting shows found to exemplify “television with a conscience” will be hosted by Dana Delany. The announcement was made by the Academy of Television Arts & Sciences.
Presenters were scheduled to include former Vice President Al Gore, Joel Grey and Shriver, the first lady of California and former NBC News correspondent.
“This is about the television community and the people who work in it putting their heart and soul into their work,” said academy Chairman and CEO John Shaffner. “None of these stories would be told if someone didn’t say, ‘I have to do this.'”
In the vast media sea, he said, the Academy Honors are “here to keep our mind on the main thing: TV can really matter and make a difference,” Shaffner said.
The programs to be honored:
• “CSI: Crime Scene Investigation” for the episode “Coup de Grace,” which takes on racial bias and profiling in a story about an off-duty officer’s accidental killing by a colleague.
• “Glee” for the episode “Wheels,” which highlights entrenched biases, including those faced by people with disabilities.
• “Private Practice” for the episode “Nothing to Fear,” about physicians dealing with the moral, legal and ethical issues raised by an ailing man’s request for assisted suicide.
• “Taking Chance,” a film about the journey of a Marine officer shepherding the remains of a soldier killed in combat in Iraq to his final resting place.
• “Explorer: Inside Death Row,” about Texas’ use of the death penalty and the effect on three inmates awaiting execution, their families and those involved in carrying out the sentences.
• “Grandpa, Do You Know Who I Am? With Maria Shriver,” a film about children dealing with grandparents with Alzheimer’s and narrated by Shriver, whose father, R. Sargent Shriver, has the disease.
• “Unlocking Autism,” about efforts to understand the causes of autism and to find therapies to treat the developmental disability.
• “Vanguard” for the episode “The OxyContin Express,” an investigation of prescription drug abuse and the route the drugs take from Florida to Appalachia.
The awards will be presented at the Beverly Hills Hotel.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More