The Television Academy has announced its 2018 changes in membership requirements as approved by its Board of Governors.
Among the changes is the expansion of membership to include personal publicists in the Professional Representatives Peer Group, short form writers in the Writers Peer Group and colorists in the Picture Editors Peer Group.
“It’s the Television Academy’s mission to create a membership body that reflects the many diverse professions and endeavors of those working in the television industry,” said Hayma Washington, Television Academy chairman and CEO. “These membership changes are indicative of the ongoing effort to more closely represent our vision of a progressive and inclusive television community.”
New membership eligibility rules changes include:
Professional Representatives Peer Group: Active Status (voting) membership now includes personal publicists who are actively engaged in publicizing individual artists, a substantial portion of whom appear or work in nationally viewed television programming. All applicants must have at least three years experience as a personal publicist, and all requirements must be met within four years preceding their application for membership.
Writers Peer Group: Active Status (voting) membership now includes writers with credits on at least 120 minutes of professional short form programs that have had broad domestic or verifiable international consumer release. The short form programs must have an average content length of 15 minutes or less.
Picture Editors Peer Group: Active Status (voting) membership now includes Associate Producers/Post Supervisors and Colorists with a minimum of four years working on nationally exhibited content, full-time for 24 of the last 36 months.
Additional changes include:
Motion & Title Design Peer Group: Additional positions of employment have been added including Creative Director, Art Director, Animator, Compositor, Editor, Illustrator, Typographer and Creative Producer. Members must have worked a minimum of three years that includes at least three Motion & Title Design credits.
Sound Peer Group: Additional positions of employment have been added including Engineer, Monitor Mixer, Playback Mixer, Production Sound Mixer and Re-Recording Mixer. Members must have worked in these areas for at least three consecutive years or have verifiable credit on at least 25 hours of nationally exhibited programming within the past four years.
Makeup Artists/Hairstylists Peer Group: Active Status (voting) membership now requires work on at least 25 nationally exhibited episodes (previously 25 hours of programming) within a four-year period, plus a minimum of two years’ experience.
Reality Programming Peer Group: Active Status (voting) membership now requires individuals to have completed at least 26 work weeks (previously two calendar years) of reality television programming; or have at least 20 credited episodes in at least two of the previous four years.
Raoul Peck Resurrects A Once-Forgotten Anti-Apartheid Photographer In “Ernest Cole: Lost and Found”
When the photographer Ernest Cole died in 1990 at the age of 49 from pancreatic cancer at a Manhattan hospital, his death was little noted.
Cole, one of the most important chroniclers of apartheid-era South Africa, was by then mostly forgotten and penniless. Banned by his native country after the publication of his pioneering photography book "House of Bondage," Cole had emigrated in 1966 to the United States. But his life in exile gradually disintegrated into intermittent homelessness. A six-paragraph obituary in The New York Times ran alongside a list of death notices.
But Cole receives a vibrant and stirring resurrection in Raoul Peck's new film "Ernest Cole: Lost and Found," narrated in Cole's own words and voiced by LaKeith Stanfield. The film, which opens in theaters Friday, is laced throughout with Cole's photographs, many of them not before seen publicly.
As he did in his Oscar-nominated James Baldwin documentary "I Am Not Your Negro," the Haitian-born Peck shares screenwriting credit with his subject. "Ernest Cole: Lost and Found" is drawn from Cole's own writings. In words and images, Peck brings the tragic story of Cole to vivid life, reopening the lens through which Cole so perceptively saw injustice and humanity.
"Film is a political tool for me," Peck said in a recent interview over lunch in Manhattan. "My job is to go to the widest audience possible and try to give them something to help them understand where they are, what they are doing, what role they are playing. It's about my fight today. I don't care about the past."
"Ernest Cole: Lost and Found" is a movie layered with meaning that goes beyond Cole's work. It asks questions not just about the societies Cole documented but of how he was treated as an artist,... Read More