By Jake Coyle, Film Writer
TORONTO (AP) --Most of Kevin Costner's most famous films wouldn't seem to be easy sells. How would it today sound to pitch a studio on a Civil War soldier befriending Sioux Indians on the South Dakota plains? Or on an Iowa farmer who hears voices?
But while Costner's industry clout was once impervious, he's had to fight harder for his latest, the drama "Black and White," which premiered over the weekend at the Toronto International Film Festival. In the film, written and directed by Mike Binder, Costner plays a Los Angeles attorney devastated by the deaths of his daughter and wife. A custody battle over his granddaughter ensues between Costner's character and the child's African-American grandmother (Octavia Spencer).
"I was pretty convinced someone would want to make it, but that just wasn't the case," Costner said in a recent interview. "I didn't fight, I just kind of surrendered. So I used my own money to make it."
When drumming up interest proved difficult, Costner resorted to financing it himself. He says he felt a responsibility to Binder, whom he had promised to get it made.
"I had to stick to my word, so I had to reach into my bank account," says Costner, who also produced the film.
Costner and Binder previously teamed up for 2005's well-received "The Upside of Anger," in which Costner (playing off his "Bull Durham" fame) played a retired baseball player who becomes romantically involved with a mother of three (Joan Allen), whose husband has gone missing.
"Black and White" is an ambitious portrait of race in America, a not especially Hollywood-friendly subject.
"I knew it was small and I knew it was a subject that doesn't immediately spark that. But I've done enough movies that I can tell," says Costner. "I thought it was really even-handed. It didn't let anyone off the hook. It deals with an issue that's not going away. We're on this planet together. We need to move past the places we've been."
The 59-year-old actor is looking for a distribution deal at Toronto, but he's also prepared to again, go it alone if necessary.
"I'm entrepreneurial," he says. "I guess if I have to do this myself, too, I'll figure out a way."
"Black and White" caps a recent run of work for Costner, who took several years off from acting while having three children with his second wife, Christine Baumgartner. He had supporting roles in the Superman film "Man of Steel" and the Tom Clancy reboot "Jack Ryan: Shadow Recruit," and starred in the NFL movie "Draft Day" and the spy thriller "3 Days to Kill."
Now, he's beginning to think about his next step. He hopes to direct a Western: "I feel like, as I play out the second half of my career, I need to direct more."
"I was talking to Bill Paxton when I was making (the History channel miniseries) 'Hatfield & McCoys,' he said, 'Why don't you work more?'" says Costner. "I said, 'I don't know. I have other things that I think about.' And he said, 'You know, work really begets work.' I thought, 'Well, I'll try a little bit of this.'"
He pauses and then chuckles. "But I didn't know I was going to end up paying for the movie."
“Venom: The Last Dance” Tops Box Office For 2nd Straight Weekend
"Venom: The Last Dance" enjoyed another weekend at the top of the box office. The Sony release starring Tom Hardy added $26.1 million in ticket sales, according to studio estimates Sunday. It was a relatively quiet weekend for North American movie theaters leading up to the presidential election. Charts were dominated by big studio holdovers, like "Venom 3," "The Wild Robot" and "Smile 2," while audiences roundly rejected the Tom Hanks, Robin Wright and Robert Zemeckis reunion "Here." Thirty years after "Forrest Gump," "Here" opened to only $5 million from 2,647 locations. "Venom 3" only fell 49% in its second weekend, which is a notably small drop for a superhero film, though it didn't exactly open like one either. In two weeks, the movie has made over $90 million domestically; The first two opened to over $80 million. Globally, the picture is brighter given that it has already crossed the $300 million threshold. Meanwhile, Universal and Illumination's "The Wild Robot" continues to attract moviegoers even six weeks in (and when it's available by video on demand), placing second with $7.6 million. That's up 11% from last weekend. The animated charmer has made over $121 million in North America and $269 million worldwide. "'The Wild Robot' has quietly been this absolute juggernaut for the fall season," said Paul Dergarabedian, the senior media analyst for Comscore. "For that film to see an increase after six weeks is astounding." "Smile 2" landed in third place with $6.8 million, helping to push its worldwide total to $109.7 million. The time-hopping "Here," a graphic novel that was adapted by "Forrest Gump" screenwriter Eric Roth, was financed by Miramax and distributed by Sony's TriStar. With a fixed position camera, it takes audiences through the... Read More