The 2022 Toronto International Film Festival has unveiled the lineup for TIFF Industry Selects, a curated selection of 10 audience friendly films beyond the official selections that are available for worldwide acquisition. These Industry Selects films will each have an in-person screening during the Festival for accredited buyers and industry professionals..
“We’ve worked to build a selection that will appeal to buyers as well as audiences,’’ said Norm Wilner, programmer, digital releasing and Industry Selects. “We aim to celebrate new voices and showcase international talent, in line with the Festival’s global spirit.”
“We’re delighted to present these director-driven and audience-engaging sales titles from around the world to international buyers who rely on our festival to strengthen their upcoming film slate,” added Geoff Macnaughton, sr. director, industry and theatrical. “Fostering sales at the Festival is a key part of our mandate, and the TIFF Industry Selects distinction is one of our newer initiatives that helps to support that mission.”
TIFF 2022 Industry Selects
Blue Jean (Georgia Oakley, UK)
In Thatcher’s England, a closeted physical education teacher (Rosy McEwen) wrestles over whether to risk her career ― and her safety ― by reaching out to a student (Lydia Page) wrestling with her own identity.
Driving Mum (Hilmar Oddsson, Iceland)
A middle-aged man (Thröstur Leó Gunnarsson) tries to honour his mother’s dying wish to be buried in her home in a remote Icelandic village by propping her up in the back seat of his car and driving her there.
Dreamin’ Wild (Bill Pohlad, US)
In 1979, teenagers Donnie and Joe Emerson recorded an album on their family’s Washington State farm. In 2012, the world caught up to it ― forcing Donnie (Casey Affleck) to reckon with his first failed run at stardom. Walton Goggins, Zooey Deschanel, Chris Messina, and Beau Bridges co-star.
Door Mouse (Avan Jogia, CAN)
A comic-book creator (Hayley Law, Riverdale) working at a burlesque club enlists the help of a colleague (Keith Powers, The Tomorrow War) to figure out what’s behind the disappearances of young women in their circle in this oddball neo-noir.
Harka (Lotfy Nathan, US/FRA/TUN/LUX/BLG)
Ali (Adam Bessa), a young Tunisian who makes a living bootlegging gasoline, finds himself pushed to the limit when his father dies suddenly, leaving him responsible for the care of his two younger sisters in the first dramatic feature from the award-winning director of 12 O’Clock Boys.
The Listener (Steve Buscemi, US)
In the early months of the pandemic, a young helpline volunteer (Tessa Thompson, who also produced) spends her shift offering a compassionate ear to people (Logan Marshall-Green, Margaret Cho, Blu del Barrio, Alia Shawkat, and more) in their darkest hours.
Kings of the World (Laura Mora, COL/LUX/FRA/MEX/NOR)
When one of them discovers he has an ancestral claim to a patch of land under a restitution agreement, five street kids from Medellin leave the city to start a new life in the country, only to find absolutely nothing is easy for five young men of no means in modern Colombia.
Klokkenluider (Neil Maskell, UK)
In this extremely bleak comedy, two security operatives (Tom Burke, Roger Evans) escort a British whistleblower (Amit Shah) and his partner (Sura Dohnke) to a remote country home in Belgium, where they await the arrival of the high-level journalist they hope will share their secret with the world.
Salt Lake (Kasia Rosłaniec, POL/SWE)
At the age of 64, Helena (Katarzyna Butowtt) announces her intention to pursue sexual experiences with other men ― much to the shock of her husband of 40 years (Krzysztof Stelmaszyk). A powerful exploration of late-life desire and emancipation.
Without Her (Arian Vazirdaftari, IRA)
As she prepares to emigrate to Denmark from Iran, Roya (Tannaz Tabatabaei) meets a strange, silent girl (Shadi Karamroudi) and decides to take her in, introducing her to her husband and children ― entirely unaware of the existential threat she’s welcomed into her home.
The Many Hires Jeremiah Wassom As Group Creative Director
Independent agency The Many has added Jeremiah Wassom as group creative director.
Wassom most recently worked a decade at Deutsch LA where, as SVP/creative director, he led the Taco Bell account and won new business for the agency. His agency past also includes AKQA and TBWAChiatDay. His creative work has touched the QSR, video games, automotive, fashion, and culture brand sectors. He also served eight years with the United States Marine Corps.
“Throughout his career, Jeremiah has helmed work that has not only made me personally jealous but has consistently pushed brands to show up in memorable and innovative ways,” said Josh Paialii, head of creative at The Many. “One look at his body of work and you will see his passion for storytelling and craft has raised the bar for entire categories, driving participation with many brands’ most loyal fans. Beyond being a world-class creative director and maker, Wassom is a proven team player and strategic thought leader. He’ll be a great addition to the leadership team at The Many working across all accounts. His role will be immediately felt as he guides and supports each of the creative leads in the department.”
A 20-year creative with agency, brand, and freelance experience, Wassom has forged a creative approach which focuses on crafting engaging connections rather than simply make ads. He sees the need for advertising to mean more, not simply do more.
The Many believes that true business growth is made possible by harnessing the power of participation and partners with brands to forge deeper connections with consumers, cultivate trust and loyalty, and maximize marketing spend and execution. The agency is built around a flexible model that offers a suite of capabilities, including... Read More