By Jake Coyle, AP Film Writer
The first standing ovation Dionne Warwick ever received was as a 6-year-old, when her reverend grandfather brought her up to the pulpit of the St. Luke's AME Church in Newark, New Jersey, where she sang "Jesus Loves Me" for a rapt congregation.
Warwick's most recent standing ovation, though, was on Saturday, at the Toronto International Film Festival after the premiere of the documentary "Dionne Warwick: Don't Make Me Over." Though the festival has been a more muted affair this year because of the pandemic, the 80-year-old Warwick has made the most of it. Over the weekend, she took over the festival's official Twitter account and posed with "my Sherlock Holmes," Benedict Cumberbatch.
As the pop-soul legend of songs like "I Say a Little Prayer," "I'll Never Fall in Love Again" and "Walk on By," Warwick has always cut a distantly un-diva path. And, in an interview, Warwick wondered just why she shouldn't exude contentedness.
"I had an incredible childhood," says Warwick speaking by Zoom. "I love God and God loves me, apparently. He's kept me happy and healthy and given me the ability to make other people smile with the gift he gave me, my voice. So what's the reason not to be happy?"
"Dionne Warwick: Don't Make Me Over," which is up for sale at the festival, is directed by her longtime business partner Dave Wooley (who co-authored Warwick's 2010 autobiography) and David Heilbroner ("The Newburgh Sting"). It's an affectionate tribute to the Grammy-winning vocalist that may be light on personal details. (There's little on her two marriages, twice divorced, to Bill Elliott, or her relationship with Sammy Davis Jr.) But the documentary delves more fully into Warwick's music, from her collaborations with Hal David and Burt Bacharach to her star-studded recording of "That's What Friends Are For" to benefit AIDS research.
Elton John calls her one of the greatest female singers of all time. Quincy Jones, Alicia Keys and Gladys Knight all pay their respects, as does Snoop Dogg, who recalls when Warwick, a critic of gangsta rap, summoned him, Tupac and Suge Knight to her home at 7 a.m. one morning to talk about violence and misogyny in lyrics. "We got out-gangsta'ed that day," says Snoop.
Perhaps most importantly, the documentary makes the case for Warwick as a pioneering crossover artist. In it, she discusses performing for segregated audiences in Jim Crow South while touring with Sam Cooke in the '60s. In 1969, for "Do You Know the way to San Jose?" Warwick became the first Black solo female artist to win a pop award at the Grammys.
"I never understood putting people in boxes. I feel so fortunate that that's something that never happened to me. Music is something universal. It appeals to all kinds of people at all times. The same eight notes in the scale are what we all sing," says Warwick. "Why differentiate me? It was because the color of my skin, nothing more. It never kept me out of the top field."
To the filmmakers, Warwick's legacy is as a trailblazer.
"She left the world a more inclusive place," says Heilbroner. "She left the world with a bunch of artists who rose because of her example."
"She did it with elegance. She did it with class. She did it with integrity," says Wooley, who sat beside Warwick at the premiere. "It's so good to see a woman like Dionne Warwick, 80 years old, get to smell her own flowers, while she's alive and with us. Often these types of docs are made after somebody has left us."
Warwick is not only still around, she's planning to tour this fall.
"This thing called vocal cords? They're muscles. They need exercise," Warwick says, running her hand against her neck. "And I missed my audiences. I hope they missed me."
Warwick's life has lately taken some unlikely turns. During the pandemic, while stuck at home, she began tweeting regularly, bringing "Auntie Dionne" to a new generation of music listeners and pop stars.
"I'm having the best time," says Warwick. "I've met some very interesting people. I made a lot of wonderful friends. I think I was the answer to what's missing on Twitter: a grown-up."
Her newfound social-media presence has brought her in contact with Chance the Rapper, the Weeknd and Taylor Swift. Those interactions, she says, have opened up "a whole new realm of people." Warwick hopes to record with the Weekend. She already has with Chance.
"I said, 'Well, OK, Chance the Rapper. I am Dionne the Singer," says Warwick. "He's a wonderful young man."
For Warwick, the lyric "Keep smiling/ Keep shining" from "That's What Friends Are For" has become something like a mantra.
"Smiling is the true answer. Smiling, you don't get the wrinkles. Frown, you get a wrinkle," says Warwick. "And I am not going to get a wrinkle anywhere. I refuse."
“Heretic” and “Maria” Set As Red Carpet Premieres At AFI Fest
The American Film Institute (AFI) has announced that Heretic, the psychological thriller starring Hugh Grant, and Maria, based on the life of opera singer Maria Callas starring Angelina Jolie, will round out the Red Carpet Premieres section at this year’s AFI Fest. The Heretic Gala Screening will take place on Thursday, October 24, and the Maria Gala Screening will be held on Saturday, October 26. The complete Red Carpet Premieres section includes the world premieres of Music By John Williams, Robert Zemeckis’ Here, Wallace & Gromit: Vengeance Most Fowl and Clint Eastwood’s Juror #2. All Red Carpet Premieres will take place at the historic TCL Chinese Theatre. The full lineup for AFI Fest 2024 will be unveiled on October 1.
“At the heart of AFI Fest is an unwavering dedication to celebrating the best in global cinema--together,” said Bob Gazzale, AFI president and CEO. “We look forward to uniting artists and audiences once again to be inspired by the art form in a powerful sense of community.”
Heretic follows two young missionaries (Sophie Thatcher and Chloe East) who are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed (portrayed by Grant), becoming ensnared in his deadly game of cat-and-mouse. The film is directed by Scott Beck and Bryan Woods and produced by Stacey Sher, Beck, Woods, Julia Glausi and Jeanette Volturno. The film will be released nationwide by A24 on November 8.
Directed by Pablo Larraín, Maria presents a tumultuous and beautiful depiction of one of the world’s most renowned artists and reimagines the legendary soprano in her final days in Paris, as Callas (Jolie)... Read More