Dirty dishes, neglected yard work, unpaid bills. A man and a woman sitting on the couch, mesmerized by whatever they’re watching on TV as an unseen baby cries in the background.
A voiceover explains, “Each year, millions of HBO subscribers allow their favorite shows to prevent them from leading responsible and healthy lives.”
The camera then takes us on a succession of case studies to prove that assertion. The first is Mr. and Mrs. Johnson who refuse to answer their phone while watching HBO. We hear the caller on the answering machine. “Mom, dad–come on pick up. I know you’re there. Pick up.”
We then see who the caller is–a teenager–and where he’s calling from, a police station/jailhouse pay phone. A voiceover says of the police, “I’m sure they’ll let Tommy make another phone call tomorrow.”
Next we’re taken to another HBO household, where Jennifer and her friends are watching TV. Jennifer likes it quiet while her favorite show is on. A male guest makes the mistake of coughing during the show, prompting Jennifer to explode. “Get the hell out of my house, Bill.” A voiceover notes, “These days most of her friends seem to prefer watching from home.”
Then there’s wheelchair-bound Mrs. Bernstein who’s caught in an escalator track trying to get to the upstairs of her house. She calls out for help. Unfortunately her son in the next room is oblivious, his eyes transfixed on an HBO show.
Next, we see Michael driving a car, with the passenger being his wife Alice. They’re returning home from a relaxing dinner. Maybe not so relaxing as Michael is driving recklessly through traffic, nearly causing an accident. Alice understandably appears nervous. Just when you think she’s going to admonish her husband, she instead blurts out, “Hurry up, we’re going to miss it.” Clearly the “it” is an HBO program.
And finally, we see a slice of Americana–a father pushing a bicycle on which his young daughter is seated. “Don’t let me go,” urges the helmet-wearing girl. However, they pass a house in which an HBO show is being watched. The dad stops in his tracks to peer through the window as his terrified daughter is left solo on the bike, pedaling down the sidewalk.
A concluding voiceover relates, “At the end of a long day, who doesn’t like to kick back with some HBO and take the edge off a little. It’s only when it begins to affect the rest of your life that it becomes a problem.”
A supered end tag reads, “HBO. Please watch responsibly.”
Michael Downing of harvest, Santa Monica, directed this one-minute-and-39-second promo for HBO’s in-house agency. The HBO creative ensemble consisted of creative director Karen Sands, VP of brand image Marc Rosenberg, senior line producer Louis Tancredi, and writer/producer Daniel Zibulsky.
Bonnie Goldfarb and Scott Howard executive produced for harvest, with Francie Moore serving as producer. The DP was John Schwartzman. Editor was Jim Hutchins of HutchCo, Los Angeles.
“Atropia” and “Twinless” Win Marquee Prizes At Sundance Film Festival
The war satire “Atropia,” about actors in a military role-playing facility, won the grand jury prize in the Sundance Film Festival’s U.S. dramatic competition, while the Dylan O’Brien movie “Twinless” got the coveted audience award.
Juries and programmers for the 41st edition of the independent film festival announced the major prizewinners Friday in Park City, Utah.
Other grand jury winners included the documentaries “Seeds,” about farmers in rural Georgia and “Cutting Through the Rocks,” about the first elected councilwoman in an Iranian village. The Indian drama “Sabar Bonda (Cactus Pears),” about a city dweller mourning his father in the western Indian countryside, won the top prize in the world cinema competition.
“It’s for my dad,” said writer and director Rohan Parashuram Kanawade. His late father, he said, was the one who encouraged him to pursue filmmaking.
Audiences also get to vote on their own awards, where James Sweeney’s “Twinless,” about the bromance between two men who meet in a twin bereavement support group, triumphed in the U.S. dramatic category. O’Brien also won a special jury award for his acting.
The U.S. documentary audience award went to “André is an Idiot,” a life-affirming film about dying of colon cancer. Other audience picks were “Prime Minister,” about former New Zealand Prime Minister Jacinda Ardern, and “DJ Ahmet,” a coming-of-age film about a 15-year-old boy in North Macedonia.
Mstyslav Chernov, the Oscar-winning Associated Press journalist, won the world cinema documentary directing award for his latest dispatch from Ukraine, “2000 Meters to Andriivka,” a joint production between the AP and PBS Frontline.
“Here’s to all... Read More