The sound mixing teams for Top Gun: Maverick, Guillermo del Toro’s Pinocchio, Moonage Daydream and Obi-Wan Kenobi were the big film winners, while Better Call Saul, Only Murders In The Building and Formula 1: Drive to Survive won the top television honors at the 59th Cinema Audio Society (CAS) Awards in Los Angeles on Saturday night (3/4).
Beyond the competiton’s film and TV category winners, special awards went to director Alejandro González Iñárritu and production sound mixer Peter J. Devlin.
In his acceptance speech as recipient of the CAS Filmmaker Award, Iñárritu cherished the crucial work of sound mixers, saying, “There is a reason why cinema is called an audio-visual medium. Audio is first, before visuals. Sound hits our bodies sensorially. Without intellectualization, we are just hit primally and it strikes our imagination and it’s boundless and it’s first.” Guillermo del Toro (Pinocchio, The Shape of Water, Pan’s Labyrinth), José Antonio GarcÃa (Roma, Iron Man 3, Nope) and Jon Taylor (The Revenant) presented the award.
Honored with the CAS Career Achievement Award, production sound mixer Peter J. Devlin CAS (Wakanda Forever, Star Trek: Picard) gave a heartfelt acceptance speech about the importance of sound, saying, “Because ours is, quite simply, the most collaborative, creative endeavor anywhere. It doesn’t simply take a village; it takes a whole city to create a film or TV show.” Director Patty Jenkins (Wonder Woman, Monster) and supervising dialogue editor Teri E. Dorman (Pirates Of The Caribbean, Da Vinci Code) presented the award.
Outgoing CAS president Karol Urban described the CAS Awards event as a smashing success and summarized, “There is magic in this organization created by sound mixers for sound mixers. Mentorship, community and kindness are critical keystones to our success. Tonight, our membership stands at just over 1,000, providing a greater diversity of experience and covering the globe in a larger international footprint than ever before. Together, we thrive through volunteerism, honoring our legends and ensuring a legacy for the future of our craft.”
The 59th Annual CAS Awards ceremony was hosted by comedian/producer Ben Gleib (Ice Age: Continental Drift, The Mad King). He kicked off the event with a hilarious sendup geared toward the sound community, quipping, “Without sound…we would all be reading a book right now.”
Here’s a category-by-category rundown of the evening’s winners:
The awards for outstanding sound mixing in film went to:
- Motion Picture — Live Action: Top Gun: Maverick (Production Mixer: Mark Weingarten, Re-Recording Mixer: Chris Burdon, Re-Recording Mixer: Mark Taylor, Scoring Mixer: Al Clay, Scoring Mixer: Stephen Lipson, Foley Mixer: Blake Collins CAS)
- Motion Picture — Animated: Guillermo del Toro’s Pinocchio (Original Dialogue Mixer: Carlos Sotolongo, Re-Recording Mixer: Jon Taylor CAS, Re-Recording Mixer: Frank Montaño, Scoring Mixer: Peter Cobbin, Scoring Mixer: Kirsty Whalley, Foley Mixer: Tavish Grade)
- Motion Picture — Documentary: Moonage Daydream (Re-Recording Mixer: Paul Massey CAS, Re-Recording Mixer: David Giammarco CAS, ADR Mixer: Jens Rosenlund Petersen)
- Non-Theatrical Motion Pictures or Limited Series: Obi-Wan Kenobi E6, Part 1 (Production Mixer: Julian Howarth CAS, Re-Recording Mixer: Bonnie Wild, Re-Recording Mixer: Danielle Dupre, Re-Recording Mixer: Scott R. Lewis, ADR Mixer: Doc Kane CAS, Foley Mixer: Jason Butler)
The awards for outstanding sound mixing in television went to:
- Television Series — One Hour: Better Call Saul S6:E13, Saul Gone (Production Mixer: Phillip W. Palmer CAS, Re-Recording Mixer: Larry Benjamin CAS, Re-Recording Mixer: Kevin Valentine, ADR Mixer: Chris Navarro CAS, Foley Mixer: Stacey Michaels CAS)
- Television Series — Half Hour: Only Murders In The Building S2:E5, The Tell (Production Mixer: Joseph White Jr. CAS, Re-Recording Mixer: Penny Harold CAS, Re-Recording Mixer: Andrew Garrett Lange CAS, Scoring Mixer: Alan Demoss, ADR Mixer: Chris Navarro CAS, Foley Mixer: Erika Koski)
- Television Series — Non-Fiction, Variety or Music/Series or Specials: Formula 1: Drive to Survive, S4:E9 Gloves Are Off (Re-Recording Mixer: Nick Fry, Re-Recording Mixer: Steve Speed)
The Student Recognition Award went to:
- Timo Nelson from The University of Texas at Austin won the Student Recognition Award, receiving a check for $5,000. The other four student finalists each took home $1,000 from the CAS. Honorees received $10,000 in products and gear to help launch their careers in sound, thanks to the support of these companies: Acon Digital, Avid, Deity Microphones, DTS, Halter Technical, IZotope, JBL Professional by Harman, K-Tek, Krotos Audio, Lectrosonics, Inc., McDSP, ShotDeck, Sounddogs, Sound Particles and Todd-AO / Absentia DX.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More