TOHO Studios, the legendary Tokyo production house responsible for the original Godzilla and its current remake, as well as Seven Samurai, directed by Akira Kurosawa, has purchased the new Tiffen Steadicam M-1 camera stabilizer for its feature projects.
Senior cameraman Kosuke Yamada has been looking at the M-1 since its launch, and was further excited about bringing a rig to Japan after he completed the six-day SOA (Steadicam Operators Association) Classic workshop in the US with Jerry Holway and Steadicam’s inventor Garrett Brown. Assisting him on the language front during the workshop was Tiffen/Steadicam’s US sales manager Dan Ikeda, one of Tiffen’s senior workshop instructors.
Yamada’s experience as a cinematographer was gained well before the SOA workshop, with a 13 year camera assistant’s path at TOHO Studios leading four years ago to the top job as TOHO’s cinematographer.
As to why he chose the M-1, Yamads said, “The first reason was its stability. When I used the M-1 for the first time at the SOA workshop, I felt a firm sense of stability that I had never felt before. No matter how much lighter cameras become, the quality of the image largely depends on its stability in use. The M-1 can accommodate various shooting styles and equipment, and I think this is perhaps the biggest strength of it, but also very important is the ease with which you can achieve dynamic balance and smoothness of the gimbal. A further reason was the modular design. Unlike the USA, it is difficult for us to customize our rigs here in Japan as we often do not have enough information or equipment, but with the M-1, we can upgrade it later if it is necessary.”
TOHO’s M-1 stabiliszr is the first to be delivered to an Asia-based customer, beating Taiwan by a day. A recent showing of the M1 at Beijing BIRTV broadcast exhibition has already resulted in more systems going to Chinese broadcasters and filmmakers.
All Tiffen M-1 systems in Asia have been ordered with the Fawcett Exovest. The supportive exoskeleton design of Exovest frees the chest from constraint by providing support on the hip and shoulder. The industry’s benchmark ISO-Elastic G70X arm completes the package, making M-1 the most advanced stabiliser in feature production.
The Steadicam M1 system was supplied by Tiffen’s Japanese distributor, Gin-ichi Corp, who boast Steadicam factory support training, offering local time-zone support to TOHO and broadcasters like NHK, CX Fuji and TV Asahi who have purchased Steadicam Archer 2, Zephyr and Shadow stabilizers over the last two years.
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More