Snell Advanced Media (SAM) announced that Timeline Television’s newest OB truck–the first IP 4K HDR truck in Europe–will be featured on its stand (#9A01) at IBC 2017. The truck, UHD2, seamlessly handles fully uncompressed 4K/UHD, IP and HDR.
A state-of-the-art, triple expanding OB truck, UHD2 is home to a range of SAM technology including two Kahuna IP production switchers, IP Multiviewers and with SAM’s IP infrastructure technology providing the backbone. Also in the truck for IBC, SAM’s LiveTouch 4K/UHD replay and highlights system will be used for demonstrations.
Timeline’s UHD2 is designed to support 32 Sony 4K cameras. Its two Kahunas enable SDR and HDR to be run simultaneously along with down converted HD outputs. The set-up allows production teams to work in VSF TR03 (SMPTE ST 2110 draft)–the first time this has been done in an OB truck–enabling Timeline to work with video and audio as separate essence flows within an IP workflow.
Daniel McDonnell, managing director at Timeline Television, said, “We worked closely with SAM to design a workflow based on the latest IP infrastructure and HDR technology available, providing customers with a highly scalable solution that can meet complex production requirements without the need to add additional OB support. Given the increased number of 4K cameras and replay positions that we wanted to support, IP made perfect sense and SAM’s technology even more so as it afforded us the maximum flexibility and scalability.”
Robert Szabó-Rowe, EVP and general manager, live Production and infrastructure, SAM, commented, “We’re really excited to have Timeline’s award winning UHD2 truck on our stand at IBC as it’s a tremendous showcase for our technology and testament to our close partnership with Timeline in delivering true market innovation. The truck offers a great opportunity for visitors to IBC to experience how IP is being used today in a real life scenario.”
Timeline Television’s McDonnell will be presenting a detailed case study on UHD2 within the IBC IP Showcase theatre (E106/107).
Review: Director Naoko Yamada’s “The Colors Within”
Kids movies so often bear little of the actual lived-in experience of growing up, but Naoko Yamada's luminous anime "The Colors Within" gently reverberates with the doubts and yearnings of young life.
Totsuko (voiced by Suzukawa Sayu) is a student at an all-girls Catholic boarding school. In the movie's opening, she explains how she experiences colors differently. She feels colors more than sees them, like an aura she senses from another person. "When I see a pretty color, my heart quickens," she says.
Totsuko, an exuberant, uncensored soul, has the tendency to blurt things out before she quite intends to. She accidentally tells a nun that her color is beautiful. In the midst of a dodgeball game, she's transfixed by the purple and yellow blur of a volleyball hurtling toward her — so much so that she's happily dazed when it smacks her in the head.
Like Totsuko, "The Colors Within" (in theaters Friday) wears its heart on its sleeve. Painted with a light, watercolor-y brush, the movie is softly impressionistic. In one typically poetic touch, a slinky brush stroke shapes the contours of a hillside horizon. That evocative sensibility connects with the movie's spiritual underpinnings. Totsuko prays "to have the serenity to accept the things she can't change." In "The Colors Within," a trio of young loners bond over what makes them uniquely themselves, while finding the courage to change, together.
The ball that knocks down Totsuko is thrown by a classmate named Kimi (Akari Takaishi), who not long after that gym class drops out of school — hounded, we're told, by rumors of a boyfriend. (Boys are off-limits for the boarding school.) Totsuko, curious what's happened to Kimi, sets out to find her, and eventually does. At a local used... Read More