Global production house Taylor James and marketing/entertainment company SMITH Creative Labs have merged and will now be operating as Taylor James. Dan Lindau, Geraint Owen and Alex Smith all join Taylor James from SMITH. Alyssa St. Vincent joins from Eight VFX. They will assume the roles of CEO, global director of special projects/EP, creative director and executive producer, New York, respectively.
At SMITH, Lindau, Owen and Smith created movies, products, ads, experiences and more for a broad spectrum of clients bringing innovation to portfolios of Fortune 500 companies.
As CEO, Lindau will oversee the network of five offices across North America and Europe. Prior to SMITH, Lindau founded Crossroads Films. Under his direction, Crossroads grew into a leading production company globally including entities 89 Edit, Headlight Design & Graphics and Crossroads Branding & Promotion. During this time, Crossroads won more than 100 Cannes Lions and produced campaigns for assorted brands including the iconic Little Caesars “Pizza Pizza,” Nike Air’s “Revolution,” Bud Light’s “Wiener Dog,” and VW “Turbonium.” He oversaw music videos for a wide range of artists, from Public Enemy to Mariah Carey, Paul McCartney, The Rolling Stones, David Bowie, Neil Young, and the Beastie Boys, among others. He has produced movies with Ben Kingsley, John Travolta, Scarlett Johansson, Kate Beckinsale and Sam Rockwell, worked on several television shows and an array of other projects. More recently, he was sr. advisor to The Doha Film Institute, where he oversaw the growth of the state of Qatar’s film initiatives.
St. Vincent joins as EP, NY, following four years helming Eight VFX, NY. She is charged with overseeing the production output as well as expanding the VFX and live-action capabilities of the studio. She has extensive experience across a diverse range of VFX, CGI, digital, animation, film and technology-driven projects and close agency, production company and A-level director relationships. St. Vincent has collaborated with clients including BMW, Rolex, Mountain Dew, Nike, and AT&T, garnering multiple Cannes Lions, Golden Pencils and other awards along the way.
Owen, global director of special projects/EP, is a design industry vet. As the founder of Süperfad, a design and live-action company, Owen created award-winning work for clients like Adidas, X-Games, Visa, Target, Bloomberg, American Express, and Durex.
Smith assumes the role of creative director and will oversee the creative output across the North American network. He brings over two decades of design experience to the role — from branding to animation, data visualization, interface design and beyond. Through the course of his career, Smith has worked with iconic brands across sectors, software startups, major TV networks and international educational institutions. He is a visiting instructor at Pratt Institute, where he has developed course work aimed at helping students uncover their own theories of design and apply those theories beyond the traditional boundaries of the field.
“This was an opportunity to capture lightning in a bottle,” said Taylor James founder, Glen Taylor. “We are taking on a team of four unique and well-respected industry vets — each who have led and nurtured a premiere, specialized company—and letting them collaborate with our teams to further grow Taylor James into a shop that provides the best in craft, across every discipline. The addition of SMITH’s top-line strategic and creative thinking allows us to partner with our clients in every conceivable way.”
Adam Isidore, managing director, Taylor James, was Lindau’s client for many years. Isidore described Lindau, Owen, Smith and St. Vincent as “an all-star team from every angle.”
Taylor James maintains offices in New York, L.A., Detroit, London and Berlin.
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More