Italian documentary “Caesar Must Die,” showing inmates of a high-security prison staging Shakespeare’s “Julius Caesar,” was awarded the Berlin film festival’s top award Saturday.
Directors Paolo Taviani and Vittorio Taviani received the Golden Bear award out of 18 contenders at what is the first of the year’s major European film festivals.
The Taviani brothers, both in their early 80s, thanked the international jury led by British director Mike Leigh and sent their greetings to the inmates of Rome’s Rebibbia prison, including former mafia leaders, who starred in the film.
“I hope that someone, going home, after seeing ‘Caesar Must Die’ will think that even an inmate, on whose head is a terrible punishment, is, and remains, a man. And this thanks to the sublime words of Shakespeare,” Vittorio Taviani said.
The two filmmakers spent six months following the rehearsals for the play. The documentary does not dwell on the crimes the inmates have committed, but shows the actors immerse themselves in the play’s web of friendship and betrayal, power, dishonesty and violence. But after the premiere, the cell doors slam shut behind Caesar, Brutus and the others, leaving them to return to their lives behind bars.
“We chose ‘Julius Caesar’ for one clear reason. We were working in a prison, that meant it was easy to get the message across with this play where actors are talking about freedom, about tyranny, about assasinations, and murder,” Paolo Taviani said through a translator.
The festival’s runner-up Silver Bear went to Hungarian director Bence Fliegauf for “Just the Wind,” which focuses on the lives of a family of Roma as their community faces a series of deadly attacks.
The film features an amateur Roma, or Gypsies, cast and depicts the long-suffering, grimly silent mother Mari (Katalin Toldi), her elderly invalid father and two children who struggle to make ends meet and dream of emigrating one day to Canada — against the quietly menacing backdrop of a series of killings in their out-of-the-way neighborhood.
The film takes its cue from true-life murders that happened in 2008-9, though Fliegauf has stressed that it does not document those killings.
Roma, who make up an estimated 5-8 percent of Hungary’s 10 million people, battle deep prejudice and have been deeply affected by the loss of guaranteed jobs after the end of communism more than 20 years ago.
The Silver Bear for best actor went to Mikkel Boe Folsgaard for his role in “Royal Affair,” and the award for the best actress went to Rachel Mwanza, 14, for her role as a Congolese child soldier in “War Witch.”
The Silver Bear for the best director went to German filmmaker Christian Petzold for “Barbara,” which depicts the life of a young physician in the 1980s who wants to escape from then communist East Germany to join her lover in West Germany.
The festival’s eight-member jury also included actor Jake Gyllenhaal and Asghar Farhadi, the Iranian director of last year’s Golden Bear-winning film, “A Separation.”
Farhadi’s film won best foreign language film honors at the Golden Globes last month and is competing for the same award at this year’s Oscars.
Outside the main competition, about 400 films were screened, and the Berlinale festival’s highlights included Meryl Streep being honored for her lifetime achievement and Angelina Jolie’s directorial debut, the Bosnian war movie “In the Land of Blood and Honey.”
Utah Leaders and Locals Rally To Keep Sundance Film Festival In The State
With the 2025 Sundance Film Festival underway, Utah leaders, locals and longtime attendees are making a final push — one that could include paying millions of dollars — to keep the world-renowned film festival as its directors consider uprooting.
Thousands of festivalgoers affixed bright yellow stickers to their winter coats that read "Keep Sundance in Utah" in a last-ditch effort to convince festival leadership and state officials to keep it in Park City, its home of 41 years.
Gov. Spencer Cox said previously that Utah would not throw as much money at the festival as other states hoping to lure it away. Now his office is urging the Legislature to carve out $3 million for Sundance in the state budget, weeks before the independent film festival is expected to pick a home for the next decade.
It could retain a small presence in picturesque Park City and center itself in nearby Salt Lake City, or move to another finalist — Cincinnati, Ohio, or Boulder, Colorado — beginning in 2027.
"Sundance is Utah, and Utah is Sundance. You can't really separate those two," Cox said. "This is your home, and we desperately hope it will be your home forever."
Last year's festival generated about $132 million for the state of Utah, according to Sundance's 2024 economic impact report.
Festival Director Eugene Hernandez told reporters last week that they had not made a final decision. An announcement is expected this year by early spring.
Colorado is trying to further sweeten its offer. The state is considering legislation giving up to $34 million in tax incentives to film festivals like Sundance through 2036 — on top of the $1.5 million in funds already approved to lure the Utah festival to its neighboring... Read More