By Luqman Adeniyi
NEW YORK (AP) --Taraji P. Henson is on a mission: To take her brand global following the success of Fox's hit show "Empire" — and her breakout character Cookie Lyon.
"I am tired of Hollywood telling me what black people can't do overseas and what can't sell overseas, and black women can't do this overseas," Henson says. "Well, I am over there and they know who I am; and they knew me before Cookie."
"Empire" debuted in January with 9.9 million viewers and ended its first season run with 17.6 million viewers for the finale, the most watched show that week, according to the Nielsen ratings.
With Emmy nominations set for July 16, the 44-year-old actress, the 2015 ambassador for the American Black Film Festival that just completed its four-day run in New York, says she isn't focused on awards.
"That's not my driving force. I respect the awards and I am always honored when I am recognized, but that's not really why I got into the business," Henson says. "Art is very powerful. It can touch and change lives, and that's what I am about with my talent."
Henson recently talked with The Associated Press about "Empire" and the Texas law enforcement officer who threw an unarmed teenage girl to the ground.
Q: What's the formula for the success of "Empire" and how the show's viewership continued to grow throughout the season?
Henson: Networks started underestimating the audience. They started believing that appointment television was dead. But we proved that if you give the audience good content they will watch, and I think that is what you are seeing. There's no special formula. There is no magic trick that we did. We just got an incredible cast, incredible writers; we deal with very diverse subject matter, subject matter that makes you think, that makes you ruffle feathers.
Q: How important is it to address delicate subjects, such as homosexuality in the African-American community?
Henson: Well it's very important to talk about any subject matter that deals with people not being afraid of being who they are. When we are born we do not get the luxury of saying, 'God I want white skin,' or 'I want to be straight,' or 'I want to be a woman,' you just get what you get, and your journey in life and how you decide to walk through that journey is what life is about and how you're going to move and affect people through your story.
Q: What can we expect for next season?
Henson: They are going to deal with a lot of the past, and this is something that I requested. What happened with Cookie in the 17 years she was locked away from her family? How did Lucious become — some people want to call him this monster — but people are the way they are because of their circumstances and so we just want to delve a little bit more into how these people became who they are.
Q: How do you feel about the recent situation in McKinney, Texas, regarding the white police officer who drew his gun on unarmed African-American teens and threw a 15-year-old girl to the ground?
Henson: I think it is time for people to stop being quiet about what's going on and stop turning a blind eye to it. People of all color, if you see an injustice happening, say something. They always say it is not important until it affects you, but I do not know what parent in the world watched that video, I do not care what color you are, and did not feel some kind of way. Take race out of it. That's a girl, that's a young woman in a bikini and that man slammed her down; like she was no threat, what was she doing? It's a big issue; we've got to deal with this. I do not know if we are becoming a police state. It's really scary.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More