Plans to remake the 1981 cult horror film “Evil Dead” may have brought some initial skepticism, but with the original filmmakers behind the scenes and a fresh-faced director and cast to inject youthful enthusiasm, the South by Southwest festival crowd welcomed the reboot with open arms.
Sam Raimi, who directed the original, and Bruce Campbell, who starred in it, produced the new “Evil Dead.” Fede Alvarez, a Uruguayan directing his first feature-length film, oversaw a small cast with Jane Levy, Shiloh Fernandez, Jessica Lucas, Lou Taylor Pucci and Elizabeth Blackmore.
The film reimagines the plot of the first “Evil Dead” but replaced the original five college students on vacation with five high school friends reuniting to help one of them kick a drug addiction. When they find the “Book of the Dead” in their cabin, a demon emerges to possess the students one by one until only one remains.
Gone is the iconic hero Ash, played by Campbell, with Alvarez taking a more ensemble approach that gives Levy and Fernandez equal time.
The mix of fire-hose blood spray, psychological terror and black humor, though, remain true to the campy original that boiled the horror movie genre down to its essence. Robert Tapert, who produced the original and the remake, said Evil Dead was intended for drive-in movies and crowded theaters, but most fans only discovered it on VHS or DVD years later.
“You need to see this with other people, where you can yell and scream. There needs to be a party atmosphere,” he said, in explaining his desire to update it. Festival-goers at South by Southwest played right along, cheering, screaming and laughing in all of the right places.
Alvarez said Campbell recruited him to take on the project after years or rumors that he, Raimi and Tapert were planning to remake the low-budget, indie masterpiece t that launched their careers. Alvarez insisted on making the film without computer generated images, instead taking 70 nights to film it using many of the old-school special effects that Raimi used 30 years ago.
“A good movie is about showing real stuff, if you see something fake you wake up from the movie dream,” he said. “The other reason was to make the movie timeless. Today’s CGI looks great, but five years from now, you say, ‘God, what was I thinking?'”
Levy, who stars in the television series “Suburgatory,” called the weeks spent in special prosthetics and covered in slimy fluids “torture.”
“It was a really long shoot and it felt like it went on forever,” she said.
Raimi screened his low-budget 1981 film at the Cannes Film Festival and eventually signed a distribution deal, however the extreme violence and gore initially earned the film an X rating and it still carries an NC-17. The $375,000 movie grossed $2.4 million at the box office, but launched Raimi’s career. He made two sequels with Campbell playing Ash, “The Evil Dead II” and “Army of Darkness.” The film also spun off a video game, comic book and musical.
Raimi later directed Hollywood blockbusters including the first three “Spider Man” films, “The Gift” and the recently released “Oz The Great and Powerful.”
A Similar But Different Take On A Feature Film Debut
Similar But Different is not only the moniker for the directorial duo of Dani Girdwood and Charlotte Fassler but also in some respects an apt description of their feature filmmaking debut, My Fault: London (Amazon MGM Studios). The movie, which premiered last week on Amazon Prime Video, has on one level some select elements similar to what we’re accustomed to in the young adult (YA) universe--which helps make it familiar, comfortable and relatable--yet at the same time My Fault: London brings a new, decidedly different dimension to YA entertainment, uniquely meshing action-adventure, mystery, music, romance and humor. The film captures the feel of the underground London culture, lending an authenticity and contemporary vibe that’s a departure from the norm when it comes to the adaptation of YA literature. This mesh of similar but different has served the film well in that there was some target audience skepticism initially over the notion of doing an English adaptation of the popular, fan-favorite Spanish-language novel “Culpa Mia,” the first of the “Culpables” trilogy. Thus it’s most gratifying for Girdwood and Fassler to see the social media response after the release of My Fault: London, with many viewers enthusiastically embracing the film. My Fault: London introduces us to Noah (portrayed by Asha Banks) who’s uprooted from her U.S. hometown, having to leave her boyfriend and friends behind to move with her mother (Eve Macklin) to London. Mom has a new rich husband (Ray Fearon) in London and their new residence is a mansion. There Noah meets Nick (Matthew Broome), her new stepbrother. They have an immediate mutual dislike for each other which blossoms into something quite different over time. Along the... Read More