Plans to remake the 1981 cult horror film “Evil Dead” may have brought some initial skepticism, but with the original filmmakers behind the scenes and a fresh-faced director and cast to inject youthful enthusiasm, the South by Southwest festival crowd welcomed the reboot with open arms.
Sam Raimi, who directed the original, and Bruce Campbell, who starred in it, produced the new “Evil Dead.” Fede Alvarez, a Uruguayan directing his first feature-length film, oversaw a small cast with Jane Levy, Shiloh Fernandez, Jessica Lucas, Lou Taylor Pucci and Elizabeth Blackmore.
The film reimagines the plot of the first “Evil Dead” but replaced the original five college students on vacation with five high school friends reuniting to help one of them kick a drug addiction. When they find the “Book of the Dead” in their cabin, a demon emerges to possess the students one by one until only one remains.
Gone is the iconic hero Ash, played by Campbell, with Alvarez taking a more ensemble approach that gives Levy and Fernandez equal time.
The mix of fire-hose blood spray, psychological terror and black humor, though, remain true to the campy original that boiled the horror movie genre down to its essence. Robert Tapert, who produced the original and the remake, said Evil Dead was intended for drive-in movies and crowded theaters, but most fans only discovered it on VHS or DVD years later.
“You need to see this with other people, where you can yell and scream. There needs to be a party atmosphere,” he said, in explaining his desire to update it. Festival-goers at South by Southwest played right along, cheering, screaming and laughing in all of the right places.
Alvarez said Campbell recruited him to take on the project after years or rumors that he, Raimi and Tapert were planning to remake the low-budget, indie masterpiece t that launched their careers. Alvarez insisted on making the film without computer generated images, instead taking 70 nights to film it using many of the old-school special effects that Raimi used 30 years ago.
“A good movie is about showing real stuff, if you see something fake you wake up from the movie dream,” he said. “The other reason was to make the movie timeless. Today’s CGI looks great, but five years from now, you say, ‘God, what was I thinking?'”
Levy, who stars in the television series “Suburgatory,” called the weeks spent in special prosthetics and covered in slimy fluids “torture.”
“It was a really long shoot and it felt like it went on forever,” she said.
Raimi screened his low-budget 1981 film at the Cannes Film Festival and eventually signed a distribution deal, however the extreme violence and gore initially earned the film an X rating and it still carries an NC-17. The $375,000 movie grossed $2.4 million at the box office, but launched Raimi’s career. He made two sequels with Campbell playing Ash, “The Evil Dead II” and “Army of Darkness.” The film also spun off a video game, comic book and musical.
Raimi later directed Hollywood blockbusters including the first three “Spider Man” films, “The Gift” and the recently released “Oz The Great and Powerful.”
“Beatles ’64” Documentary Captures Intimate Moments From Landmark U.S. Visit
Likely most people have seen iconic footage of the Beatles performing on "The Ed Sullivan Show." But how many have seen Paul McCartney during that same U.S. trip feeding seagulls off his hotel balcony?
That moment — as well as George Harrison and John Lennon goofing around by exchanging their jackets — are part of the Disney+ documentary "Beatles '64," an intimate look at the English band's first trip to America that uses rare and newly restored footage. It streams Friday.
"It's so fun to be the fly on the wall in those really intimate moments," says Margaret Bodde, who produced alongside Martin Scorsese. "It's just this incredible gift of time and technology to be able to see it now with the decades of time stripped away so that you really feel like you're there."
"Beatles '64" leans into footage of the 14-day trip filmed by documentarians Albert and David Maysles, who left behind 11 hours of the Fab Four goofing around in New York's Plaza hotel or traveling. It was restored by Park Road Post in New Zealand.
"It's beautiful, although it's black and white and it's not widescreen," says director David Tedeschi. "It's like it was shot yesterday and it captures the youth of the four Beatles and the fans."
The footage is augmented by interviews with the two surviving members of the band and people whose lives were impacted, including some of the women who as teens stood outside their hotel hoping to catch a glimpse of the Beatles.
"It was like a crazy love," fan Vickie Brenna-Costa recalls in the documentary. "I can't really understand it now. But then, it was natural."
The film shows the four heartthrobs flirting and dancing at the Peppermint Lounge disco, Harrison noodling with a Woody Guthrie riff on his guitar... Read More