By Mari Yamaguchi
TOKYO (AP) --Japanese police on Wednesday arrested a suspect in the deadly arson at a Kyoto anime studio last year after he recovered enough from his own severe burns to respond to the police investigation.
Kyoto police said they arrested Shinji Aoba, 42, on murder and arson allegations, 10 months after obtaining the warrant because they had to wait for Aoba to recover. Police also reportedly waited to arrest him until Japan's coronavirus emergency was fully lifted this week.
Aoba is accused of storming into Kyoto Animation's No. 1 studio on July 18 last year, setting it on fire and killing 36 people, and injuring more than 30 others. The attack shocked Japan and drew an outpouring of grief from anime fans worldwide.
Police, quoting witnesses to the attack, have alleged Aoba arrived carrying two containers of flammable liquid, entered the studio's unlocked front door, dumped the liquid and set it afire with a lighter.
About 70 people were working inside the studio in southern Kyoto, Japan's ancient capital, at the time of the attack.
One of the survivors, an animator, told Japanese media he jumped from a window of the three-story building gasping for air amid scorching heat after seeing a "a black mushroom cloud" rising from downstairs.
Many others tried but failed to escape to the roof, fire officials said. Many died of carbon monoxide poisoning.
Aoba sustained severe burns on his face, torso and limbs and was unconscious for weeks. He reportedly still cannot walk or feed himself without assistance. Police were to pursue their investigation while carefully monitoring his health.
"We will now focus on the suspect's interrogation and pursue our investigation in order to fully examine the crime," police investigator Toshiyuki Kawase told reporters.
Japanese television footage showed Aoba, his face scarred and eyebrows lost apparently from the fire, strapped to a stretcher as he was carried into a police station.
Police have said Aoba told them he set the fire because he thought "(Kyoto Animation) stole novels." He told investigators Monday that he thought he could kill many people with gasoline, Japanese media reports said.
Prosecutors are expected to seek formal criminal charges against him in a few weeks.
Kyoto Animation's hits include "Lucky Star" of 2008, "K-On!" in 2011 and "Haruhi Suzumiya" in 2009. Its new feature film, "Violet Evergarden," about a woman who professionally writes letters for clients, was scheduled to open in April but was postponed due to the coronavirus pandemic.
The fire was Japan's deadliest since 2001, when a blaze in Tokyo's Kabukicho entertainment district killed 44 people in the country's worst known case of arson in modern times.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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