Vicki Ordeshook has been named executive producer, national sales and marketing, for Superlounge, working alongside EP/partner Dave Farrell. In the newly created role, Ordeshook will oversee sales and marketing for the production company. She has secured James Bartlett of Mr. Bartlett for East Coast representation, and John Buckley of Buckley Reps on the West Coast. Kristina Kovacevic-Plunkett and Joanna Miller of KK&Joanna remain in place in the Midwest. Prior to joining Superlounge, Ordeshook spent three years at Elias, where she served as an EP across all facets of its business with a concentration on sales and marketing.
Ordeshook graduated from LMU’s School of Film and Television with a degree in Film Production, then joined music/sound company Machine Head, where she rose through the ranks to executive producer. Over the next decade, she expanded her producing skills beyond advertising into film, television and video games, including serving as executive music and sound roducer of The Call, starring John Malkovich and Uma Thurman, directed by Antoine Fuqua and sponsored by Pirelli Tires. Additionally, Ordeshook worked in artist management, live action production, post and sales, before joining Elias in 2013.
“I’m excited to be involved in taking Superlounge to the next level,” said Ordeshook,-“building the roster and spreading the news about their talents, delightful personalities, hands-on approach and commitment to making great stories come to life. This position is also a great opportunity to get back to my first love, filmmaking.”
Superlounge recently completed production on its second round of Toyota’s “Built To Amaze” digital campaign (via Saatchi LA), and a Ford campaign created via GTB (formerly Team Detroit). Both projects were directed by Jordan Brady.
In addition to Brady, the Superlounge roster is comprised of award-winning commercial directors Daniel Sheppard, Brett Wagner, Barton Landsman, Jeff Aron Lable and Jeanette Godoy.
Review: Director Ben Taylor’s “Joy”
Toward the end of Netflix's "Joy," the muffled cry of a newborn baby prompts a man and woman in a hospital to embrace out of pure bliss. They aren't the parents, but they had as much to do with the birth as the mom and dad.
This charming and winning movie charts the decade-long true story of how the world's first IVF baby was born in England in 1978 — a 5-pound, 12-ounce girl who paved the way for millions more. It's an upbeat, very English affair, mixing sober discussion of endometriosis with chocolate biscuits.
The couple embracing that day were pioneering scientist Robert Edwards and Jean Purdy, a young nurse and embryologist. Together with surgeon Patrick Steptoe, the trio succeeded with in vitro fertilization, a method of treating infertility. Edwards would go on to win the Nobel Prize.
"Joy" has been birthed at a time when science is under threat in America — even IVF — so it's downright inspiring to see plucky, smart scientists working hard to change the world. "What we're doing, it matters," says Steptoe, played with quiet economy by Bill Nighy.
"Joy" is the personal stories of the three scientists — mostly through the eyes of Purdy, a polite lab-coated warrior. "If I hear a commotion, I'm not very good at staying out of it," she says. Perfectly played by Thomasin McKenzie, Purdy is both vulnerable and strong, learning through the process to be a better human. James Norton plays Edwards with charm, self-doubt and calm spirit.
Jack Thorne's script nicely explains the massive pressure the trio faced. IVF may have become common and uncontroversial over the last decades, but back in the late '70s it was experimental and shunned. The Anglican church called it a sin, the newspapers labeled it Frankenstein-ish and other... Read More