By Lindsey Bahr, Film Writer
PARK CITY, Utah (AP) --Epic is not usually a term associated with films coming out of the Sundance Film Festival, which makes director Rodrigo Garcia's imagined story of Jesus's journey through the desert even more striking.
Shot by "Gravity" and "Birdman" cinematographer Emmanuel Lubezki in southern California's Anza-Borrego Desert State Park and aided by precise and all-encompassing Dolby Atmos sound mix, "Last Days in the Desert" looks, feels and sounds big. How could a story of that takes on both Jesus and the devil (both played by Ewan McGregor) and their relationship to God not be? But for Garcia, it's just a small family drama.
In the film, Jesus comes across a family living in the middle of the desert and becomes involved in their lives for a brief time. The mother (Ayelet Zurer) is dying, the father (Ciarán Hinds) is a stoic isolationist, and the son (Tye Sheridan) longs to leave for a life in Jerusalem.
"The desert is a big setting, but the story is super interpersonal about these relationships," Garcia said. "In some ways it is a kitchen sink drama, even if one of the dads is God."
Garcia thought of shooting in Israel, but for various reasons, including costs, it just wasn't going to be feasible for the production. "I didn't want it to look like an American western desert, the way Colorado and Utah look," he said.
After hours of exhaustive online searches, he stumbled across the almost alien landscapes of the Anza-Borrego Desert State Park and knew he had it.
In addition to Lubezki's striking cinematography, the desert world is made more real through sound.
"There's very little music and almost no dialogue in the first part of the movie. It presented a lot of great opportunities for creative sound design," said Dolby Institute director Glenn Kiser. The film was remixed with the sophisticated system thanks to a grant from the Dolby Family Sound Fellowship.
But a small character drama like "Last Days in the Desert" lives and dies by its lead. Garcia knew that McGregor had the right combination intelligence, compassion and empathy to portray Jesus and the devil.
"It's quite an extraordinary situation to be playing two roles in any film. It's quite daunting when one of them is Jesus," said McGregor following Sunday's premiere of the film.
But Garcia also knew that he would eventually have to explain why he cast a white actor in the role.
"I am sensitive to the fact that so many times and in many egregious ways white actors have played non-white characters. But I felt like I could take that liberty because I was not doing the historical Jesus, I was not doing a divine Jesus. I was doing a parable," he said.
"I understand the question. I can only put myself at the mercy of the court. I myself couldn't care if I go see an all-black 'Hamlet' for example," Garcia said.
As a Colombian-born and Mexico-raised director living in Los Angeles, Garcia said that there are Mexican and Colombian stories that he would love to tell on screen, but he hasn't really gotten the opportunity to do so yet. "So far it's been easier to make films in English, honestly, just from a fundraising point of view," he said.
For now, though, he's content to stay in the independent world. It's the only way he's been able to tell the stories that he wants to tell.
First-Time Feature Directors Make Major Splash At AFI Fest, Generate Oscar Buzz
Two first-time feature directors who are generating Oscar buzz this awards season were front and center this past weekend at AFI Fest in Hollywood. Rachel Morrison, who made history as the first woman nominated for a Best Cinematography Oscar---on the strength of Mudbound in 2018--brought her feature directorial debut, The Fire Inside (Amazon MGM Studios), to the festival on Sunday (10/27), and shared insights into the film during a conversation session immediately following the screening. This came a day after William Goldenberg, an Oscar-winning editor for Argo in 2013, had his initial foray into feature directing, Unstoppable (Amazon MGM Studios), showcased at the AFI proceedings. He too spoke after the screening during a panel discussion. The Fire Inside--which made its world premiere at this year’s Toronto International Film Festival--tells the story of Claressa “T-Rex” Shields (portrayed by Ryan Destiny), a Black boxer from Flint, Mich., who trained to become the first woman in U.S. history to win an Olympic Gold Medal in the sport. She achieved this feat--with the help of coach Jason Crutchfield (Brian Tyree Henry)--only to find that her victory at the Summer Games came with relatively little fanfare and no endorsement deals. So much for the hope that the historic accomplishment would be a ticket out of socioeconomic purgatory for Shields and her family. It seemed like yet another setback in a cycle of adversity throughout Shields’ life but she persevered, going on to win her second Gold Medal at the next Olympics and becoming a champion for gender equality and equitable pay for women in sports. Shields has served as a source of inspiration for woman athletes worldwide--as well as to the community of... Read More