Anita Hill made national headlines in 1991 when she testified that then-Supreme Court nominee Clarence Thomas had made sexually inappropriate comments toward her, giving prominent exposure to the idea of sexual harassment. Hill was verbally attacked, and Thomas was confirmed.
More than 20 years later, director Freida Mock explores Hill’s landmark testimony and the resulting social and political changes in the documentary “Anita,” premiering Saturday at the Sundance Film Festival.
“It was the right time for me because I just realized that, since I work with young people at a university, I realized how their orientation was so visual — visual in the sense of moving pictures,” Hill said in an interview Friday, “and this was really an opportunity to have a story told in a way that was going to continue and be available and informative to people of a new generation.”
Mock said the 20th anniversary of Hill’s testimony was the perfect time to “benchmark the event.”
“It offered kind of a great bookend to look at the story: Her personal story as well as our country’s story, and what’s happened socially and politically from what Anita did in terms of raising that issue about sexual misconduct,” the director said.
The two women spent more than three years making the film, which goes back further than the Senate Judiciary Committee hearings to Hill’s childhood. It also looks forward, exploring the young activists working today to eradicate gender discrimination and promote equality.
Hill’s testimony changed the course of her career.
“What ultimately happened was I realized the issue did not just shrink,” she said. “Even just explaining what sexual harassment laws are did not shrink the issues. It was almost like it was an onion: You started peeling at one layer and then you realized there were all these different layers.”
After receiving a call from a stranger who revealed that he had been sexually abused, Hill was determined to continue the national conversation about sexual discrimination.
“At that point, I realized that this was an issue that resonated with women. It was an issue that resonated with men. It was an issue that was about sexual harassment. It was an issue about sexual abuse and sexual violence, and it just kept going from there,” she said. “It did change not only where I worked, but it changed the entire nature of my work.”
Hill said she summoned the courage to testify against Thomas because of her love of the law.
“For me it was really about the court, and the integrity of the court was at stake,” she said. “And for someone who is a lawyer and a law teacher who is looking at young people every day and saying, ‘Believe in the law, it’s important, it’s significant.’
“Then I realized that it was part of my responsibility as a citizen, as someone who cared about the court, whose life had been changed because of some of the rulings of the court, and you summon up the courage.”
She began to develop that courage even as a child, the youngest of 13.
“My parents raised half of their children in a segregated society, so they were really supreme mentors in teaching people how to be dignified in circumstances that really don’t respect you, don’t respect you as a person, as a whole human being with contributions to make,” Hill said. “So I was schooled in that way even before I knew it was happening, because that was they had to do for their children.”
Mock said she was honored to make the film and share Hill’s story with viewers too young to remember her testimony. And Hill continues to do the work that found her in 1991.
“It’s rewarding to be able to commit your life’s work to it, but it’s also challenging to get a handle on,” Hill said. “But it’s a challenge I feel privileged to be a part of undertaking.”
Review: Director Jon M. Chu’s “Wicked”
It's the ultimate celebrity redemption tour, two decades in the making. In the annals of pop culture, few characters have undergone an image makeover quite like the Wicked Witch of the West.
Oh, she may have been vengeful and scary in "The Wizard of Oz." But something changed — like, REALLY changed — on the way from the yellow brick road to the Great White Way. Since 2003, crowds have packed nightly into "Wicked" at Broadway's Gershwin Theatre to cheer as the green-skinned, misunderstood Elphaba rises up on her broomstick to belt "Defying Gravity," that enduring girl-power anthem.
How many people have seen "Wicked"? Rudimentary math suggests more than 15 million on Broadway alone. And now we have "Wicked" the movie, director Jon M. Chu's lavish, faithful, impeccably crafted (and nearly three-hour) ode to this origin story of Elphaba and her (eventual) bestie — Glinda, the very good and very blonde. Welcome to Hollywood, ladies.
Before we get to what this movie does well (Those big numbers! Those costumes!), just a couple thornier issues to ponder. Will this "Wicked," powered by a soulful Cynthia Erivo (owner of one of the best singing voices on the planet) and a sprightly, comedic, hair-tossing Ariana Grande, turn even musical theater haters into lovers?
Tricky question. Some people just don't buy into the musical thing, and they should be allowed to live freely amongst us. But if people breaking into song delights rather than flummoxes you, if elaborate dance numbers in village squares and fantastical nightclubs and emerald-hued cities make perfect sense to you, and especially if you already love "Wicked," well then, you will likely love this film. If it feels like they made the best "Wicked" movie money could buy — well, it's... Read More