By Jake Coyle, Film Writer
NEW YORK (AP) --The supervillain romp "Suicide Squad" shrugged off scathing reviews to open with an estimated $135.1 million in North American ticket sales, scoring one of the year's biggest box-office debuts.
Pressure had risen on the performance of the Warner Bros. film, directed by David Ayer, following the studio's previous poorly received DC Comics film, "Batman v Superman: Dawn of Justice." But "Suicide Squad" proved a massive draw despite its much-derided lead-in. It set a record for an August opening, easily besting Marvel's 2014 hit "Guardians of the Galaxy," which debuted with $94.3 million.
Though the Warner Bros.-DC Comics alliance was again battered by bad reviews, "Suicide Squad" delivered at the box office.
"We learn as we go," said Jeff Goldstein, head of distribution for Warner Bros. "We've fine-tuned our strategy in terms of who's in charge and how we're approaching all our DC films. We're modifying it in an exciting way to make all the subsequent films as great as possible."
Not everything was roses for "Suicide Squad," though, despite dominating the weekend. (The other new wide release, the feline animated release "Nine Lives," debuted in sixth with a mere $6.5 million.) After fans flocked to theaters on Thursday night and Friday, audiences dropped steeply on Saturday. That could forecast further sharp declines in coming weeks for the $175 million film, which also came with a massive marketing budget.
That was the trajectory for "Batman v Superman," which bowed with $166 million in March but didn't make that much in its entire remaining run in North American theaters. "Suicide Squad," the last tent-pole film of the summer, won't have much competition in the coming weeks, but it will need better word of mouth than "Batman v Superman" to keep luring audiences.
"Suicide Squad," starring Margot Robbie, Will Smith and Jared Leto, went into reshoots after the disappointment of "Batman v Superman," and its marketing got a more comic, punk vibe that clicked with fans. But the film was derided as a mess by critics and others questioned the movie's PG-13 rating considering its high degree of violence.
Audiences liked it better. Opening weekend crowds gave it a B-plus on CinemaScore.
The elephant in the room is that the reviews were harsh," Goldstein said. "Clearly there's disconnect between audiences and critics."
But in franchise building, leaving fans thirsting for more is nearly as important as box office. In that regard, the jury remains out on "Suicide Squad." The coming weeks will show if crowds still materialize or quickly dissipate as they did for "Batman v Superman." The film also opened with $132 million internationally, where it will likely go without a release in China, the world's second-largest movie market.
Warner Bros., with years of DC films in the works, has a lot riding on its comic movie rival to Marvel. Next up is Patty Jenkins' "Wonder Woman" in June.
"You can't put reviews in the bank. You can put money in the bank," said Paul Dergarabedian, senior media analyst for comScore. "The long-term success of any movie is predicated on positive sentiment from the fans. For any movie, that's the most important aspect."
Warners could on Sunday celebrate crossing $1 billion in 2016 domestic revenue, a mark it has achieved 16 years straight. The "Suicide Squad" debut also gave Smith, long one of the movies' top draws, the biggest opening of his career. (Second is 2007's "I Am Legend" with $77.2 million.)
The top five for the weekend box office was otherwise filled with holdovers. The Matt Damon spy sequel "Jason Bourne" grossed $22.7 million in its second weekend. It's made $103.4 million in two weeks for Universal. SXT Entertainment's "Bad Moms" also continued solid business with $14.2 million in its second week, bringing the cumulative gross for the comedy to $51 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final three-day domestic figures will be released Monday.
1. "Suicide Squad," $135.1 million ($132 million international).
2. "Jason Bourne," $22.7 million.
3. "Bad Moms," $14.2 million.
4. "The Secret Life of Pets," $11.6 million.
5. "Star Trek Beyond," $10.2 million.
6. "Nine Lives," $6.5 million.
7. "Lights Out," $6 million.
8. "Nerve," $4.9 million.
9. "Ghostbusters," $4.8 million.
10. "Ice Age: Collision Course," $4.3 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Suicide Squad," $132 million.
2. "The Secret Life of Pets," $68.6 million.
3. "Time Raiders," 64.6 million.
4. "Jason Bourne," $20.9 million.
5. "Finding Dory," $11.5 million.
6. "Ice Age: Collision Course," $11.5 million.
7. "The Last Princess," $10 million.
8. "Sweet Sixteen," $10 million.
9. "Operation Chromite," $9.5 million.
10. "The Legend of Tarzan," $8.1 million.
Sinners and Saints Adds Apple Pie To Its Branded Menu
Bicoastal Sinners and Saints--the multidisciplinary studio overseen by managing director/executive producer Heather Heller, and partners/EPs Yann Henric and Thomas Carroll--has added Apple Pie Tabletop to its roster for branded content. Known for its food and beverage content creation, Apple Pie comprises the husband-and-wife team of director/DP Gene Dubin and director/art director Alisa Volodina. In addition to representation, the move expands Apple Pie’s production capabilities through the combination of its centrally located full-service studio in New York and a newly established mobile studio in Los Angeles. Apple Pie recently teamed with Sinners and Saints on a Wienerschnitzel project created by Innocean.
“We believe that our dual studio strategy positions us uniquely in the competitive landscape of food and beverage storytelling,” said Heller. “By blending the artistry of the New York studio with the flexibility of our Los Angeles location, we can tailor our productions to meet the unique demands of each project, regardless of geography.”
“Working with Sinners and Saints in the demanding field of tabletop was an absolute pleasure,” shared Apple Pie Tabletop in a joint statement. “Warm welcome, unwavering support and dedication--everything a director can ask for. The entire experience was both enjoyable and rewarding. We will not miss an opportunity to collaborate with them again.”
“The first thing you notice is that Apple Pie has beautiful work,” Heller observed. “Having worked with them, I can say that Gene and Alisa are extremely meticulous and detail-oriented; their combination of talent and agility appeals to agencies and clients.” Also appealing to Heller is Apple Pie Tabletop’s brisk international... Read More