By Jake Coyle, Film Writer
NEW YORK (AP) --The supervillain romp "Suicide Squad" shrugged off scathing reviews to open with an estimated $135.1 million in North American ticket sales, scoring one of the year's biggest box-office debuts.
Pressure had risen on the performance of the Warner Bros. film, directed by David Ayer, following the studio's previous poorly received DC Comics film, "Batman v Superman: Dawn of Justice." But "Suicide Squad" proved a massive draw despite its much-derided lead-in. It set a record for an August opening, easily besting Marvel's 2014 hit "Guardians of the Galaxy," which debuted with $94.3 million.
Though the Warner Bros.-DC Comics alliance was again battered by bad reviews, "Suicide Squad" delivered at the box office.
"We learn as we go," said Jeff Goldstein, head of distribution for Warner Bros. "We've fine-tuned our strategy in terms of who's in charge and how we're approaching all our DC films. We're modifying it in an exciting way to make all the subsequent films as great as possible."
Not everything was roses for "Suicide Squad," though, despite dominating the weekend. (The other new wide release, the feline animated release "Nine Lives," debuted in sixth with a mere $6.5 million.) After fans flocked to theaters on Thursday night and Friday, audiences dropped steeply on Saturday. That could forecast further sharp declines in coming weeks for the $175 million film, which also came with a massive marketing budget.
That was the trajectory for "Batman v Superman," which bowed with $166 million in March but didn't make that much in its entire remaining run in North American theaters. "Suicide Squad," the last tent-pole film of the summer, won't have much competition in the coming weeks, but it will need better word of mouth than "Batman v Superman" to keep luring audiences.
"Suicide Squad," starring Margot Robbie, Will Smith and Jared Leto, went into reshoots after the disappointment of "Batman v Superman," and its marketing got a more comic, punk vibe that clicked with fans. But the film was derided as a mess by critics and others questioned the movie's PG-13 rating considering its high degree of violence.
Audiences liked it better. Opening weekend crowds gave it a B-plus on CinemaScore.
The elephant in the room is that the reviews were harsh," Goldstein said. "Clearly there's disconnect between audiences and critics."
But in franchise building, leaving fans thirsting for more is nearly as important as box office. In that regard, the jury remains out on "Suicide Squad." The coming weeks will show if crowds still materialize or quickly dissipate as they did for "Batman v Superman." The film also opened with $132 million internationally, where it will likely go without a release in China, the world's second-largest movie market.
Warner Bros., with years of DC films in the works, has a lot riding on its comic movie rival to Marvel. Next up is Patty Jenkins' "Wonder Woman" in June.
"You can't put reviews in the bank. You can put money in the bank," said Paul Dergarabedian, senior media analyst for comScore. "The long-term success of any movie is predicated on positive sentiment from the fans. For any movie, that's the most important aspect."
Warners could on Sunday celebrate crossing $1 billion in 2016 domestic revenue, a mark it has achieved 16 years straight. The "Suicide Squad" debut also gave Smith, long one of the movies' top draws, the biggest opening of his career. (Second is 2007's "I Am Legend" with $77.2 million.)
The top five for the weekend box office was otherwise filled with holdovers. The Matt Damon spy sequel "Jason Bourne" grossed $22.7 million in its second weekend. It's made $103.4 million in two weeks for Universal. SXT Entertainment's "Bad Moms" also continued solid business with $14.2 million in its second week, bringing the cumulative gross for the comedy to $51 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final three-day domestic figures will be released Monday.
1. "Suicide Squad," $135.1 million ($132 million international).
2. "Jason Bourne," $22.7 million.
3. "Bad Moms," $14.2 million.
4. "The Secret Life of Pets," $11.6 million.
5. "Star Trek Beyond," $10.2 million.
6. "Nine Lives," $6.5 million.
7. "Lights Out," $6 million.
8. "Nerve," $4.9 million.
9. "Ghostbusters," $4.8 million.
10. "Ice Age: Collision Course," $4.3 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Suicide Squad," $132 million.
2. "The Secret Life of Pets," $68.6 million.
3. "Time Raiders," 64.6 million.
4. "Jason Bourne," $20.9 million.
5. "Finding Dory," $11.5 million.
6. "Ice Age: Collision Course," $11.5 million.
7. "The Last Princess," $10 million.
8. "Sweet Sixteen," $10 million.
9. "Operation Chromite," $9.5 million.
10. "The Legend of Tarzan," $8.1 million.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More