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    “Suffragette” Opens, “Steve Jobs” To Close London Film Festival

    By SHOOTUpdated:No Comments1967 Views
    Director Sarah Gavron, from left, poses for photographers with actors Carey Mulligan and Meryl Streep during the London Film Festival opening photo call for the film, "Suffragette," in a central London hotel, Wednesday, Oct. 7, 2015.(Photo by Joel Ryan/Invision/AP)

    Fest puts focus on women, onscreen and off

    By Jill Lawless

    LONDON (AP) --

    The London Film Festival opens Wednesday with "Suffragette," the story of British women who fought for the right to vote — a milestone on a journey to equality that many believe is still unfinished.

    It's a fitting choice for a festival determined to champion women on both sides of the camera.

    Starring Carey Mulligan, Helena Bonham Carter and Meryl Streep, the gritty early 20th-century drama — think blood and sweat, not "Downton Abbey" — is directed by Sarah Gavron ("Brick Lane") and written by Abi Morgan ("The Iron Lady.")

    "'Suffragette' is a film directed by British women about British women who changed the course of history," said festival director Clare Stewart.

    Stewart said its selection as opener signals the festival's desire to ask "what can we be doing to break down the barriers for women directors and how can we be ensuring that the debate is front and center for the film industry?"

    While festivals including Cannes have been criticized for choosing few works by female filmmakers, 46 of the 238 features in the London lineup are by women, including Deepa Mehta's Indian-Canadian gangster movie "Beeba Boys" and Ondi Timoner's Russell Brand documentary "Brand: A Second Coming."

    Stewart said the figure "sounds fantastic when you say it like that, and then you realize it's still only 20 percent of the program."

    Festival organizers have also invited actress Geena Davis, founder of an institute on gender in media, to host a symposium during the event. And Cate Blanchett — star of two festival entries, lesbian romance "Carol" and journalism drama "Truth" — will receive the British Film Institute Fellowship, a career honor.

    Founded in 1957 to show the best of the year's world cinema to a British audience, the London festival has boosted its profile in recent years with bigger movies, more glittering stars and prizes positioned to boost emerging awards-season contenders.

    This year's lineup includes prize-winners from the Berlin, Cannes, Toronto and Venice festivals, as well as high-profile fall releases including gangster thriller "Black Mass," with Johnny Depp, and McCarthy-era drama "Trumbo," starring Bryan Cranston.

    Gala presentations include Nicholas Hytner's "The Lady in the Van," starring Maggie Smith as a redoubtable eccentric; John Crowley's Irish-American journey "Brooklyn"; Lenny Abrahamson's mother-son story "Room:" and Davis Guggenheim's documentary "He Named Me Malala."

    On Oct. 17 a jury led by Polish director Pawel Pawlikowski will award the prize for best film, from a list of nominees that includes Cary Fukunaga's child-soldier saga "Beasts of No Nation" and Laszlo Nemes' searing Holocaust drama "Son of Saul."

    The 59th London Film Festival wraps up Oct. 18 with Danny Boyle's "Steve Jobs," starring Michael Fassbender as the Apple founder.

    Category:News
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    Raoul Peck Resurrects A Once-Forgotten Anti-Apartheid Photographer In “Ernest Cole: Lost and Found”

    Friday, November 22, 2024

    When the photographer Ernest Cole died in 1990 at the age of 49 from pancreatic cancer at a Manhattan hospital, his death was little noted.

    Cole, one of the most important chroniclers of apartheid-era South Africa, was by then mostly forgotten and penniless. Banned by his native country after the publication of his pioneering photography book "House of Bondage," Cole had emigrated in 1966 to the United States. But his life in exile gradually disintegrated into intermittent homelessness. A six-paragraph obituary in The New York Times ran alongside a list of death notices.

    But Cole receives a vibrant and stirring resurrection in Raoul Peck's new film "Ernest Cole: Lost and Found," narrated in Cole's own words and voiced by LaKeith Stanfield. The film, which opens in theaters Friday, is laced throughout with Cole's photographs, many of them not before seen publicly.

    As he did in his Oscar-nominated James Baldwin documentary "I Am Not Your Negro," the Haitian-born Peck shares screenwriting credit with his subject. "Ernest Cole: Lost and Found" is drawn from Cole's own writings. In words and images, Peck brings the tragic story of Cole to vivid life, reopening the lens through which Cole so perceptively saw injustice and humanity.

    "Film is a political tool for me," Peck said in a recent interview over lunch in Manhattan. "My job is to go to the widest audience possible and try to give them something to help them understand where they are, what they are doing, what role they are playing. It's about my fight today. I don't care about the past."

    "Ernest Cole: Lost and Found" is a movie layered with meaning that goes beyond Cole's work. It asks questions not just about the societies Cole documented but of how he was treated as an artist,... Read More

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