Ashli LeClair has joined GSD&M, Austin, Texas, as sr. digital producer. In the agency’s integrated production department, LeClair will lead production efforts on Air Force experiential and digital initiatives. LeClair comes to GSD&M fron nFusion where she worked as senior digital producer for Samsung, Front Burner Restaurants, CiCi’s Pizza and Austin Convention and Visitors Bureau. Prior to that, she spent two years as interactive producer at Butler, Shine, Stern & Partners in San Francisco….International production company Savage has opened in Los Angeles with executive producer Jay Shapiro running ship on the West Coast. The news follows a busy year for the company, recently moving into new office space in Chelsea, NYC after wrapping work for Nike, Merrill Lynch, Google and Capital One. Shapiro brings years of expertise to his new position, producing on spots with directors such as Craig Gillespie, Fredrik Bond, The Perlorian Brothers, Bryan Buckley, Brian Beletic and Peggy Sirota. Further experience producing on films including Apt Pupil, The Dangerous Lives of Altar Boys and Thumbsucker also underlines Shapiro’s ability to work side-by-side with directors on both long and short format material….JJ Wilmoth has been hired to serve as executive producer for MassMarket LA. Her experience includes time spent at Nola Pictures building an in-house postproduction department, recruitment and creative planning expertise as creative manager at mcgarrybowen NY and EP at Spine, LA. She also spearheaded the initial launch of Beast Editorial as EP in New York. Wilmoth will head up operations in MassMarket’s Venice Beach office and oversee all stages of production, broadening the company’s portfolio and expanding the company’s body of work….
Utah Leaders and Locals Rally To Keep Sundance Film Festival In The State
With the 2025 Sundance Film Festival underway, Utah leaders, locals and longtime attendees are making a final push — one that could include paying millions of dollars — to keep the world-renowned film festival as its directors consider uprooting.
Thousands of festivalgoers affixed bright yellow stickers to their winter coats that read "Keep Sundance in Utah" in a last-ditch effort to convince festival leadership and state officials to keep it in Park City, its home of 41 years.
Gov. Spencer Cox said previously that Utah would not throw as much money at the festival as other states hoping to lure it away. Now his office is urging the Legislature to carve out $3 million for Sundance in the state budget, weeks before the independent film festival is expected to pick a home for the next decade.
It could retain a small presence in picturesque Park City and center itself in nearby Salt Lake City, or move to another finalist — Cincinnati, Ohio, or Boulder, Colorado — beginning in 2027.
"Sundance is Utah, and Utah is Sundance. You can't really separate those two," Cox said. "This is your home, and we desperately hope it will be your home forever."
Last year's festival generated about $132 million for the state of Utah, according to Sundance's 2024 economic impact report.
Festival Director Eugene Hernandez told reporters last week that they had not made a final decision. An announcement is expected this year by early spring.
Colorado is trying to further sweeten its offer. The state is considering legislation giving up to $34 million in tax incentives to film festivals like Sundance through 2036 — on top of the $1.5 million in funds already approved to lure the Utah festival to its neighboring... Read More